The audience is invited to enter a dome – like a giant dancefloor – to discover the story of Enneline, the first woman to be swept away by the “dancing plague”, and her lover Melchior, who tries, through the city, to save her. Immersed in this space, the spectators are gradually carried away by this narrative round which mysteriously mixes filmed and virtual bodies. Encouraged to interact physically, the spectator enters the dance and participates in the collective animation of this living and fantastic fresco.