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A pioneering studio in original immersive creation, Atlas V is accelerating its shift toward entertainment and location-based experiences
Read more: A pioneering studio in original immersive creation, Atlas V is accelerating its shift toward entertainment and location-based experiencesEight years after its creation, Atlas V has formalized a major development that has just been announced by Variety: a $6 Million fundraising campaign—led “primarily” by HTC—and a deliberate diversification strategy, designed as a direct response to the maturation(and limitations) of the online narrative VR market. The stated objective is to consolidate a studio internationally…
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Rethinking the narrative function of technology – Jamie Armitage (A GHOST IN YOUR EAR)
Read more: Rethinking the narrative function of technology – Jamie Armitage (A GHOST IN YOUR EAR)An in-depth look at Jamie Armitage’s new stage production, A GHOST IN YOUR EAR, currently running at London’s Hampstead Downstairs (Hampstead Theatre) until 14 February. A horror story that uses binaural sound and the emotional exchange between actor and audience to deepen the live experience of theatre. Cover: A GHOST IN YOUR EAR – George…
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Decoding XR: from VR to dome adaptation, with Claudix Vanesix, Avinash Changa (FEEDBACK VR, UN MUSICAL ANTIFUTURISTA)
Read more: Decoding XR: from VR to dome adaptation, with Claudix Vanesix, Avinash Changa (FEEDBACK VR, UN MUSICAL ANTIFUTURISTA)In 2018, IDFA DocLab launched a partnership with the Artis Planetarium to present dome-based immersive artworks during the festival. Some selections are expressly designed for dome projections, while others are installation or headset-based DocLab selections, adapted through an initiative of DocLab, Artis, WeMakeVR and the Netherlands Film Fund. As with any artistic format, there are…
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NOIRE (COLORED) (2023) -
THE ISLAND OF SHELLS (2025) -
THE BIG CUBE (2025) -
MIRAGE (2025) (2025) -
ANCESTORS (2024)
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Sebastiano Vitale: staging AI at architectural scale
Read more: Sebastiano Vitale: staging AI at architectural scaleAt The New Atlas of Digital Art – Immersive Frontiers in Milan last June, hosted by MEET, the term “immersive” is not treated as a trend but as a production reality: works are judged by their ability to hold attention, translate across venues, and remain legible under shifting technical constraints and visitor flows. In that…
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XRMust XR Awards 2025: A Year in Immersive Storytelling
Read more: XRMust XR Awards 2025: A Year in Immersive StorytellingWelcome to the 6th XRMust Awards! This new edition holds no big surprises if you follow us, with awards mainly going to projects that have been screened at the Venice Film Festival—one of the strongest programs of the year and a venue for world premieres. Out of 396 voters, it is clear that the industry’s…
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Luxembourg, a co-production territory serving immersive and audiovisual creation for Tarantula
Read more: Luxembourg, a co-production territory serving immersive and audiovisual creation for TarantulaFor thirty years, Tarantula has occupied a special place in Luxembourg’s audiovisual landscape: that of an independent producer deeply rooted in auteur cinema, capable of seeking out social, political and sensitive stories and giving them international reach. Founded in 1995 by Donato Rotunno, the company first made a name for itself with its short films,…
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“Reframing our relationship with nature” – Marcel van Brakel (FUTURE BOTANICA)
Read more: “Reframing our relationship with nature” – Marcel van Brakel (FUTURE BOTANICA)Presented in 2025 at SXSW and recently at the Geneva International Film Festival, FUTURE BOTANICA is an augmented reality work that reflects on the relationship between nature and the human element, while consciously stepping away from the perspective that usually frames this kind of discussion. Instead of placing humanity at the center, with the power…
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From Animation to Immersive Stories: How Richard Valk Builds International XR Collaborations
Read more: From Animation to Immersive Stories: How Richard Valk Builds International XR CollaborationsMeeting Dutch producer–director Richard Valk is a sharp way to read the Dutch landscape. Through Valk Productions, founded in the late 1990s, he has built a bridge between auteur animation, documentary and immersive work – and his trajectory captures how the Netherlands has become a small but very active hub for XR creation and co-production.…
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Building a VR Museum for the Next 10 Years: Vincent Slangen’s ENTR Project in Amsterdam
Read more: Building a VR Museum for the Next 10 Years: Vincent Slangen’s ENTR Project in AmsterdamAmsterdam is about to get a new kind of museum. In 2026, ENTR will open near Central Station as a space entirely dedicated to cultural and educational VR experiences – not as a side room in a museum, but as the main event. At the centre of the project is founder Vincent Slangen, a former…

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