With LBXR Pulse, Excurio is not simply launching a new interface or service. The company is formalising an infrastructure that has already been tested in
The immersive sector has spent a decade proving that XR can move people. What it has not proven—at least not consistently—is that XR can circulate
In this conversation with Byron Chrysovergis, founder of Poetics, what emerges is not the portrait of a market already in place, but of a country
BURDEN OF OTHER PEOPLE’S DREAMS: BOOK ONE – GANYMEDE is a surreal, abstract memoir of Joe Bini’s life as a film editor and storyteller, presented
In the context of the international structuring of XR, the Netherlands has, in recent months, set up a national program dedicated to accelerating immersive applications:
Free-roam VR is entering a make-or-break phase: the sector doesn’t need more proof that the format can amaze—it needs infrastructure that helps it scale. In
Ahead of the new edition of CPH:DOX Inter:Active, we spoke with curator Mark Atkin about this year’s lineup and the theme Hypervigilance, which frames an
Immersive work is no longer a side attraction tacked onto a performing arts calendar. At the Lincoln Center for the Performing Arts in New York,
Film Fund Luxembourg occupies a singular position within the European ecosystem: a powerful public instrument, backed by a structured audiovisual policy, that has gradually expanded
Museums are no longer asking whether immersive experiences “can work” in their walls. The real question is whether they can work at scale, with mixed
