Museums are no longer asking whether immersive experiences “can work” in their walls. The real question is whether they can work at scale, with mixed
Müzeverse, now the main operator for immersive experiences in Istanbul and Türkiye, was engineered, step by step, in a city that had all the ingredients
Bruno Ribeiro describes himself as a show director and media artist, with a straightforward guiding principle: to create experiences that transform perception by working with
Launched in 2021 by the Quebec association Xn Québec and the French cultural agency {CORRESPONDANCES DIGITALES], Numix Lab has established itself as much more than
On March 7, 2026, L’Hybride will reopen in Lille, transformed into the first immersive video mapping venue in the Hauts-de-France region, without abandoning its original
Between meetings at IFFR, the conversation with Isobel Knowles and Van Sowerwine quickly moved beyond the usual “how did you make it?” Because THE WORLD
The appetite for major cultural experiences has always been a vertical business for growing XR. From the outset, HTC VIVE has been involved in this
At the latest Museum Connections event (January 13–14, 2026, Paris Expo Porte de Versailles), the stands are no longer solely dedicated to museum catalogs, best
Eight years after its creation, Atlas V has formalized a major development that has just been announced by Variety: a €5 million fundraising campaign—led “primarily”
An in-depth look at Jamie Armitage’s new stage production, A GHOST IN YOUR EAR, currently running at London’s Hampstead Downstairs (Hampstead Theatre) until 14 February.
