STYLY: Building a Bridge Between XR Creation, LBE Distribution and Japan’s Next Immersive Market
As location-based entertainment continues to reshape the way immersive works reach audiences, the question is no longer only…
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Articles, interviews and analysis from XRMust.
As location-based entertainment continues to reshape the way immersive works reach audiences, the question is no longer only…
Years ago, my heart was stolen by a tiny character inhabiting a miniature world of railway crossings, flower-filled…
The Immersive Revolution (2026 Edition), published by Peter Tullin through REMIX Summits, sets out to capture a sector…
In Fortaleza, the Museu da Imagem e do Som do Ceará (MIS CE) occupies a distinctive position. It…
For more than six years, Jason Moore has been pursuing a deceptively simple idea: what if entering a…
Fever is often described, from the outside, as a ticketing platform. For many producers, venues and experience creators,…
With ICE SAILOR and CARBON BLACK, VisionR Agency is exploring a field that remains relatively uncommon in French…
Last year, I had already had the chance to speak with Celine Daemen, in an exchange that later…
Some characters do not simply belong to a catalogue of intellectual properties. Mafalda is one of them. Created…
For its 10th edition, Venice Immersive (part of the Biennale Cinema) could have chosen the comfort of a…
Following our visit to Rotterdam this winter, IFFR’s position in immersive and expanded moving-image culture feels increasingly clear.…
With MISSION TO THE MOON, presented at the Cité des sciences et de l’industrie, Léa Ducré continues her…