Building a VR Museum for the Next 10 Years: Vincent Slangen’s ENTR Project in Amsterdam

Amsterdam is about to get a new kind of museum. In 2026, ENTR will open near Central Station as a space entirely dedicated to cultural and educational VR experiences – not as a side room in a museum, but as the main event. At the centre of the project is founder Vincent Slangen, a former […]

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Stereopsia EUROPE is back, with a few changes (and a full 2022 programme)

Stereopsia EUROPE, one of the most important events at the end of each year, comes back earlier than expected with an autumn 14th edition from October 17 to 19, in a new place: the Maison de la Poste in Brussels.

“We want to reach the widest possible audiences but also to build understanding and appreciation of digital art” – Samantha King (VIVE Arts)

For the last 5 years VIVE Arts, the art and technology initiative of the Taiwanese company HTC, has been leading the charge in innovative digital art. From its work with museums and institutions, exploring web3 components of the field, the

“With GOLIATH we wanted to offer an interactive documentary with an innovative and original narrative” – Katayoun Dibamehr (Floréal Films)

It’s unprecedented to underline it: a French company – Floréal Films – signs a double win at the Venice Film Festival, Venice VR Expanded section! After THE HANGMAN AT HOME in 2020, it’s GOLIATH signed by Barry Gene Murphy and

Expanding the Emotional and Social Reach of Immersive Storytelling – A Conversation with An Oost (Cassette for timescapes)

With a catalogue that bridges socially engaged documentary, artist-driven storytelling, and carefully crafted immersive formats, producer An Oost has positioned Cassette for timescapes as one of Belgium’s most distinctive voices in VR and creative non-fiction. At a time when Belgium

[REPLAY] Creating Reality: intervista a Jason Moore di XR4Europe

La collaborazione fra XR4Europe e XRMust si apre, in questo 2024, con una prima intervista dedicata ad uno dei nostri artisti preferiti dei mondi virtuali e delle performing arts. Parliamo di Jason Moore, che con tutto il team di The

“With the XR medium we want to put people on scene” – Nonny de la Peña (Emblematic Group)

She is known as the “goddess of VR”, but far from the skies Nonny de la Peña is mostly interested in the real world. Through a relentless work as a creator and producer of immersive experiences with her company Emblematic