Nothing about us without us: Rio Nakada’s NOX and the language of inner worlds
Over the years, our field has seen a number of virtual reality experiences that venture, directly and indirectly,…
From Wonder to Awareness: Anthony Geffen’s GALÁPAGOS: THE LAST EDEN
As in past years, Venice Immersive at La Biennale di Venezia and the Lazzaretto Vecchio island remain privileged…
The infinite possibilities of immersive stories – In conversation with Paul Raphaël at Venice Immersive 2026
With the second week of the Venice Film Festival, a new phase always begins here on the Lido.…
Venice Immersive’ 10⎜Ricardo Laganaro: making space for new voices without losing our memory
Years ago, my heart was stolen by a tiny character inhabiting a miniature world of railway crossings, flower-filled…
Venice Immersive’ 10 | Celine Daemen: “We need to stay true to what makes our medium special”
Last year, I had already had the chance to speak with Celine Daemen, in an exchange that later…
Editorial⎜“La Soglia necessaria”: entering immersive worlds without disappearing
Even today, every now and then, I hear someone say that cinema and television are passive media: the…
CPH:LAB: a talent programme to reshape ideas and imaginaries – Interview with Stella Ntavara (CPH:LAB 2026)
CPH:LAB, CPH:DOX’s talent development programme for boundary-pushing documentary and immersive work, concluded its latest edition in March. After following…
Francesco Fiore and Alter Agent: building a universe between simulation and reality
Selected for the Immersive Competition at the 79th Festival de Cannes, RED PLANET 3009 opens a door onto…
How multisensory storytelling preserves memory and deepens engagement – CPH:DOX Inter:Active
This year, CPH:DOX Inter:Active reflects on the theme of multisensoriality, fully entering a broader collective discussion and research…
“BURDEN OF OTHER PEOPLE’S DREAMS: BOOK ONE – GANYMEDE” – In conversation with Joe Bini at CPH:DOX
BURDEN OF OTHER PEOPLE’S DREAMS: BOOK ONE – GANYMEDE is a surreal, abstract memoir of Joe Bini's life…
Hypervigilance as a lens on contemporary society – Mark Atkin (CPH:DOX INTER:ACTIVE 2026)
Ahead of the new edition of CPH:DOX Inter:Active, we spoke with curator Mark Atkin about this year’s lineup…
Rethinking the narrative function of technology – Jamie Armitage (A GHOST IN YOUR EAR)
An in-depth look at Jamie Armitage’s new stage production, A GHOST IN YOUR EAR, currently running at London’s…