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“Using digital 1s and 0s to explore the messiness of nature and humanity beyond binary definitions” – Mark Atkin (Electric Dreams, CPH:DOX Inter:Active)
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Search results for: SXSW, XR Stories
Article
“Using digital 1s and 0s to explore the messiness of nature and humanity beyond binary definitions” – Mark Atkin (Electric Dreams, CPH:DOX Inter:Active)
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The Red Sea International Film Festival: 10 of the best immersive works from 2022 in the VR Competition
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“Incorporating VR’s strength into the narrative backbone of our story” – Arif Khan (BLACK ICE VR)
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LUSTRATION (Episode 1) is now available on Oculus TV
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“Coming from traditional animation, I had to learn a new creative vocabulary” – Sunghwan Lee (IHYANGJEONG: CARVING WITH MEMORIES)
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“Community as a big part of storytelling” – Ryan Griffen, Zoe Roellin, Nathan Anderson (LUSTRATION VR)
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“The best way to understand something is to feel involved in it” – Gaëlle Mourre, Quentin Darras ((HI)STORY OF A PAINTING)
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“With a 24-hour running time, GONDWANA is by nature a very organic experience” – Ben Joseph Andrews, Emma Roberts (GONDWANA)
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“VR to invoke a deep sense of urgency and passion for confronting global challenges” – Daanish Masood Alavi, Igal Nassina (THE STATE OF GLOBAL PEACE)
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“We wanted to create a cinematic journey with a level of interactivity perfectly fitted to that goal” – Jon Rowe (BIOLUM)
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“Animation, documentary or fiction… immersive experiences are more and more hybrid!” – Oriane Hurard (Atlas V)
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“VR to add power to suspension of disbelief” – Abel Kohen (BIOLUM)