It all stems from an approach developed by conductor Laurence Equilbey. She imagines a visual representation of the sonata form to help grasp the global coherence, structure, and principles of its construction. In this way, the musical architecture, visible in the score, takes on a new reality, discernible and easily accessible by all, without violating the composer’s intention. The architecture becomes sculpture. The user is drawn into an interactive musical promenade, a sensory experience.
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