“To reclaim colonial structures through virtual acts” – Valencia James (SUGA’)

A work that reflects on rituals, ancestry and colonisation, Suga' takes an accessible approach to give audiences a live dance performance using the innovative Volumetric Performance Toolbox Ancestry has been a common thread of the 2022 Sundance Film Festival, as discussed in this recap. Suga’ was one of the works from the New Frontier lineup that focused most directly […]

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Preview/ MONS VENUS, with Paula Orlando (creator) and Rocio Pichirili (producer)

Dealing with the question of pleasure (physical, emotional…) in virtual reality is a real question for creators, but an obvious destination when working with a medium that can manipulate the senses. By confronting the viewer with his or her own

Vote for the 2024’s Online XR Awards!

The end of the year always heralds a form of synthesis around projects shown at festivals and/or distributed on the XR market. And at XRMust, the idea is to let you have your say! The site may have evolved in

SXSW unveils a complete online XR agenda

South by Southwest® (SXSW®) Conference and Festivals (March 16-20, 2021) unveiled the SXSW Online XR world and programming as part of the 2021 event. The condensed, fantastical artist representations of Congress Avenue and the Red River Cultural District, using the

Report⎪In Toronto, FIVARS in Fall 2022

In a year that has been marked by the return to in-person events, the fall edition of the Festival of International Virtual and Augmented Reality Stories (FIVARS) is bucking the trend by continuing to offer a hybrid event. While I

Decoding XR: from VR to dome adaptation, with Claudix Vanesix, Avinash Changa (FEEDBACK VR, UN MUSICAL ANTIFUTURISTA)

In 2018, IDFA DocLab launched a partnership with the Artis Planetarium to present dome-based immersive artworks during the festival. Some selections are expressly designed for dome projections, while others are installation or headset-based DocLab selections, adapted through an initiative of

Villa Formose / “To act or to observe: it’s this freedom of the spectator that lies at the heart of the experience” – Mathieu Pradat (ENCOUNTERS)

After several years in development, Mathieu Pradat had a successful year in 2024, presenting two multi-user experiences at festivals. After THE ROAMING at Cannes, RENCONTRES made its world premiere at the Venice Film Festival. This latest project was the result