“Immersive experiences shall open up multi-layered discussions between all generations, between all perspectives of this world” – Ioana Mischie (HUMAN VIOLINS – PRELUDE)

Mathieu G.

Ioana Mischie is a Romanian-born transmedia artist and futurist, active in the field for almost 12 years. She is also founder of the Storyscapes collective, which emerged as the first association focussing on transmedia storytelling in the country, paving the way for new genres and pioneering narrative structures and she serves as a lecturer at […]

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GLOW: Illuminating Innovation exhibition brightens London with cutting-edge immersive artworks by international women creators

There is a repeated cycle in every new form of technology when it emerges, when the rules haven’t yet been written or established, it is very inclusive and many people can experiment with it. It is in those early stages

WebVR: belgian startup LucidWeb launches VR content distribution platform

LucidWeb, a leading WebVR and WebAR startup based in Brussels, expands its offering by launching its premium virtual reality (...)

“Scenery is the XR creation suite you always wanted” – Marc Wicht (Co-Founder)

Scenery is an Apple-native XR creation and storytelling suite that flips the script on how immersive experiences are built and distributed. The multi-sensory experiences you create run both on mobile and Apple Vision Pro, can be location-based, and globally accessible.

“I created a VR experience where I can see things moving in real time inside my own brain” – Ben Joseph Andrews, Emma Roberts (TURBULENCE: JAMAIS VU)

TURBULENCE: JAMAIS VU, an IDFA DocLab 2023 selected experience, is the first part of a series of mixed reality works about vestibular migraine, a chronic condition the creator Ben Joseph Andrews lives with, and is an attempt to look at

Luxembourg scales up: when a European public fund transforms immersive technology into an industry

Film Fund Luxembourg occupies a singular position within the European ecosystem: a powerful public instrument, backed by a structured audiovisual policy, that has gradually expanded its scope toward immersive creation without weakening its historic foundation. In this interview, Guy Daleiden—its

Go deeper into the distribution and curation of immersive works with Sheffield Doc/Fest

With Creative England, the avant-garde documentary festival Sheffield Doc / Fest is organizing 4 workshops about the XR market (...)