First trailer for Stéphane Hueber-Blies and Nicolas Blies CECI EST MON CŒUR

CECI EST MON CŒUR (THIS IS MY HEART) is the new work by the Blies brothers (ZERO IMPUNITY), produced between Luxembourg, France and Canada by a_Bahn, Lucid Realities and PHI Studio. Previewed at Venice Immersive, the Venice Biennale, we present their first trailer.

This is an extract from the Director’s Q&A included in the Press Kit:

What are the origins and inspirations behind CECI EST MON CŒUR?

Ever since we were children, we’ve both built our lives on a lack of love for our bodies. Simultaneously inhabited by shame and anguish, we both wanted, for dierent reasons, to see it disappear, to see it permanently erased from the eyes of others and from our own.

Stéphane: I was sexually abused at a scout camp when I was 9. Since then I’ve totally rejected my body—I’ve hated it. I used every means and excess to abuse it, and my addictions to destroy it. Because, for me, my body had betrayed me. It carried my sense of guilt. For all those years, I believed that the fault was mine, that it was the fault of this body that carried within it the trauma that I was rejecting.

Nicolas: As for me, I’m a bit like the genetic bottom of the barrel of my family. Degenerative eye disease, hereditary coronary artery disease (the same one that took our father’s life two years ago), back deformity, severe acne, and other unidentied viruses… all these illnesses have taught me to isolate myself, to make myself invisible and, ultimately, to fall out of love with my body.

Today, we feel the need to question the diculty we have had in accepting our bodies since childhood, in accepting that these bodies can feel, express themselves, and live. Because one day the body wakes up and remembers. At a certain point, we could no longer ignore these marks. So we need to let our bodies speak for themselves because they are undoubtedly the bearers of a story—our stories. Because our body remembers, because it is our memory, it is our strength, it is the one that carries us, our only recourse. And even if for too many years, blinded and deceived, we have seen it as an enemy, in the end, it is neither responsible nor guilty. Our body is our ally. That’s when we realized that we had to let go of our guilt about our bodies to rediscover our love for them.

CECI EST MON CŒUR (THIS IS MY HEART) is the contemporary tale of an extraordinary love story, that of the reconciliation of a child with his body. A sensory and narrative creation that highlights the distorted representation we have of our own bodies. An immersive tale in which the public, wrapped in a connected garment and embellished with luminous embroidery, is carried away in a poetic experience, both oral and visual. CECI EST MON CŒUR offers a sensory odyssey in which the audience sees the connected garment light up in sync with the text of the story. A ballet of lights takes shape under the impulse of the story, a story conceived as a dialogue between the narrator and his own body. CECI EST MON CŒUR is an immersive work of the intimate, whole and organic: whether it’s the visual projections, the soundscape or the choreography of light that moves through the audience’s bodies, everything seems to breathe and react to the story. This immersive tale lasts 35′ and is accessible to all audiences. CECI EST MON CŒUR showcases the beauty of human fragility and emphasizes self-acceptance.

Funding

  • Creative Europe MEDIA (EU) 2023
  • Selective Funding for Production @ Film Fund Luxembourg (LU) 2023
  • Région Grand Est (FR) 2022 
  • Fonds d’aide à la création immersive – Aide à la préproduction @ CNC (FR) 2022
  • Ville de Paris (FR) 2022 
  • Procirep – Angoa (FR) 2022
  • Sodec (CA) 2021
  • Selective Funding for Development @ Film Fund Luxembourg (LU) 2021

Leave a Reply

@ Magazine

Building the metaverse responsibly with Women in Immersive Tech Europe (WIIT) and Meta

WIIT, standing for Women in Immersive Tech Europe, is the first European NGO that Meta chooses to collaborate with to address Meta’s new goals outlined for building the metaverse responsibly. The WIIT Meta Grant includes both a new fund to

“Without making it autobiographical, I wanted to create an environment where universal memories could emerge” – Zoe Roellin (PERENNIALS)

Noticed last year on LUSTRATION and THE CHOICE, Zoé Roellin is a Swiss artist and illustrator based in Zurich. At Venice Immersive 2023, she presents PERENNIALS, a more personal work in 3D animation that plunges us into the memories of

“Encouraging the public to engage with powerful XR artworks is our responsibility” – Michele Ziegler (NewImages Festival 2024)

Back for its 7th edition, one of the world’s leading events 100% dedicated to immersive and digital creation reaffirms its dynamic position within a global network of festivals – and a year rich in French events. With a market of

“The aim was above all to bring our artistic and critical eye to bear on these avant-garde creative territories” – Marc Da Costa, Matthew Niederhauser (TULPAMANCER)

Artificial intelligence has made its nest on the island of Venice Immersive 2023. The rapid expansion of AI-related technologies – and the artistic works that incorporate them – couldn’t avoid one of the XR events of the year. Meet Marc

“I’m intrigued by AR’s power to transform the world we’re already in, simply by adding a layer of narrative” – Robert Morgan

Two months after the release of his book Storytelling for Spatial Computing and Mixed Reality: The Art of Augmenting Imagination (Routledge 2025), which quickly sold out in its paperback edition, we sat down with author Robert Morgan. Cover: Augmented Reality

“At the intersection of story/game and connection” – Barry Gene Murphy, May Abdalla (GOLIATH: PLAYING WITH REALITY)

Awarded with the Grand JURY Prize for Best VR Work at Venezia78, GOLIATH: PLAYING WITH REALITY is a VR experience that uses all the narrative tools VR can offer to tackle a difficult subject like schizophrenia. We talked about it