Villa Formose / DEEP ECOLOGY: a generative immersive map to explore the link between technology and ecology

XRMust is at the Kaohsiung Film Festival this year, covering the event and in particular its XR Dreamland section, at the invitation of the French Office in Taipei. It's also an opportunity to take a look back at the teams who have passed through Villa Formose (see our dedicated article) and the winners who have […]

---

Not gonna lie: this part is locked 😬

Memberships help us keep XRMust independent and keep the project growing.

👉 Log in or subscribe to read the full article. Or go back to the homepage.

@ Magazine

Ferryman Collective brings MetaRick’s UNCANNY ALLEY: A NEW DAY to Venice 2024

A cyberpunk hacker must lead escaped detainees to freedom through a hacked portal before a fascist corporation erases their memories. Time is running out! In an exciting collaboration, the acclaimed virtual reality production studio, Ferryman Collective, and the innovative Virtual

Decoding XR: THE PANTHEON OF QUEER MYTHOLOGY, Enrique Agudo

We discovered Enrique Agudo’s last immersive work during the online Tribeca 2020 edition where it got its World Premiere. Since then this visual and narrative mosaic has been selected in several festivals. We had a chance to discuss with its

“We place storytelling at the forefront” – Loren Hammonds (Tribeca Immersive)

A look at Tribeca's immersive line-up for 2019.

“Making films for Vision Pro is a return to a true cinematic approach” – Frank-David Cohen, Sixtine Rose (Immersive Flashback)

Is immersive technology bringing film formats back into fashion? While all location-based experiences are on the rise and consolidating their place in the market, video seemed less attractive, between difficulties accessing stores and the stranglehold of real-time engines on productions.

CPH:Lab 2023: COLLATERAL ECHOES VR, THE FOREST THAT BREATHES US, DIPLOMATIC REBEL (part 2)

A few days after our return from Copenhagen, where we joined the CPH:DOX Inter:Active festival, we present the second part of the article dedicated to the 9 projects that were developed during the CPH:LAB 2022-2023. One of the things we

“While producing our experiences with LBE venues, we need to keep the story at the core of the project ” – Mads Damsbo, Mikkel Skov (MAKROPOL 2/2)

Producer of digital content since 2011, the Danish company Makropol has experimented on all media: LBE since 2014, VR film… On the occasion of the release of their latest productions (END OF NIGHT, ARTIFICIAL AWAKENING, SHADOW…), we met Mads Damsbo,