At The New Atlas of Digital Art – Immersive Frontiers in Milan last June, hosted by MEET, the term “immersive” is not treated as a trend but as a production reality: works are judged by their ability to hold attention, translate across venues, and remain legible under shifting technical constraints and visitor flows. In that […]
“To infinity and beyond”, as a character from a famous animated film once said. And while this phrase is often repeated, sometimes out of place, I think that today, in this particular article, it feels more fitting than ever. “To
Just before SXSW in Austin, it’s Luxembourg that’s ringing the bell for the XR creative community by offering (as it has since 2017) a competition around immersive experiences (VR, AR, audio…), prizes and a VR Day dedicated to talks and
It’s good to be back in Austin, Texas. Even virtually. This year’s SXSW is going to be fully online: “Introducing SXSW Online, a digital experience from March 16–20, 2021 including keynotes, Conference sessions, Music Festival showcases, Film Festival screenings, world-class
Although festivals have been back in person for some time now, this past edition of Tribeca was my first experience attending a in-person XR festival outside of my hometown of Montreal. More importantly, this was also my first time attending
An in-depth look at Jamie Armitage’s new stage production, A GHOST IN YOUR EAR, currently running at London’s Hampstead Downstairs (Hampstead Theatre) until 14 February. A horror story that uses binaural sound and the emotional exchange between actor and audience