At The New Atlas of Digital Art – Immersive Frontiers in Milan last June, hosted by MEET, the term “immersive” is not treated as a trend but as a production reality: works are judged by their ability to hold attention, translate across venues, and remain legible under shifting technical constraints and visitor flows. In that […]
For thirty years, Tarantula has occupied a special place in Luxembourg’s audiovisual landscape: that of an independent producer deeply rooted in auteur cinema, capable of seeking out social, political and sensitive stories and giving them international reach. Founded in 1995
Part of the lineup for the Virtual Cinema Competition at SXSW Online 2021, Reeducated, directed by Sam Wolson and based on the research and reporting of Ben Mauk, is immersive journalism at its best: a VR piece that makes you
Since 2017, XRMust has been following the evolution of immersive creation across festivals, markets, studios, institutions and independent artistic practices. What began as a dedicated editorial space for XR and new forms of digital storytelling has gradually become a broader
Spotted in 2020 among the projects supported by the Biennale College Cinema VR, VAJONT was then presented in the Venice VR program out of competition. On the occasion of the online release – on Oculus – of this real-time experience,