Sebastiano Vitale: staging AI at architectural scale

At The New Atlas of Digital Art – Immersive Frontiers in Milan last June, hosted by MEET, the term “immersive” is not treated as a trend but as a production reality: works are judged by their ability to hold attention, translate across venues, and remain legible under shifting technical constraints and visitor flows. In that […]

---

Not gonna lie: this part is locked 😬

Memberships help us keep XRMust independent and keep the project growing.

👉 Log in or subscribe to read the full article. Or go back to the homepage.

@ Dabatase

@ Magazine

Luxembourg, a co-production territory serving immersive and audiovisual creation for Tarantula

For thirty years, Tarantula has occupied a special place in Luxembourg’s audiovisual landscape: that of an independent producer deeply rooted in auteur cinema, capable of seeking out social, political and sensitive stories and giving them international reach. Founded in 1995

“To bring people in inaccessible physical and emotional spaces” – Sam Wolson (Reeducated)

Part of the lineup for the Virtual Cinema Competition at SXSW Online 2021, Reeducated, directed by Sam Wolson and based on the research and reporting of Ben Mauk, is immersive journalism at its best: a VR piece that makes you

This fall Montréal welcomes The Digital World (#digitalmtl)

The health and economic crisis that swept through the world this spring forced many events to change their schedule and format.

XRMust Enters a New Phase: A Stronger Editorial Platform for Immersive Creation

Since 2017, XRMust has been following the evolution of immersive creation across festivals, markets, studios, institutions and independent artistic practices. What began as a dedicated editorial space for XR and new forms of digital storytelling has gradually become a broader

“Tribeca Immersive is a reflection of the diversity of creators across the globe” – Loren Hammonds (Tribeca Immersive)

Due to the current situation, Tribeca Festival had to cancel his physical event and found its way online (see the complete line up). (...)

“Virtual reality allows me to describe this unique situation and to ask our audience what would be their choice” – Saverio Trapasso, Iolanda Di Bonaventura (VAJONT)

Spotted in 2020 among the projects supported by the Biennale College Cinema VR, VAJONT was then presented in the Venice VR program out of competition. On the occasion of the online release – on Oculus – of this real-time experience,