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“In our VR documentary the audience needs to feel the presence of the characters in the right way” – Gary Yost (Inside COVID19)
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“In our VR documentary the audience needs to feel the presence of the characters in the right way” – Gary Yost (Inside COVID19)
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Atlas V unveils Astrea, a new key player in the XR distribution business
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“The inherent power of VR is to change our perspective on a story” – Nim Shapira, Roi Lev (BYSTANDING: THE FEINGOLD SYNDROME)
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“We must stand for the independence of creation in virtual reality” – Michel Reilhac (Venice VR Expanded)
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Venice Virtual Reality unveils a massive contents and VRChat Worlds selection for its 2021 hybrid edition
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“5G technology will accelerate the discovery of immersive creative content” – Morgan Bouchet, Guillaume Brunet (Orange)
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“Music should be used as an interactive component for the viewer” – Cyrille Marchesseau (PAPER BIRDS)
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Diving into Canadian XR – Portrait of Ziad Touma (Couzin Films)
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“It is our role at the Marché du Film to support all innovations” – Guillaume Esmiol (Cannes XR)
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Xn Quebec presents a map of +100 Canadian XR creative studios
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“Beyond Reality continues to contribute to a global creative infrastructure” – Jay Kim (BIFAN)
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“Animation, documentary or fiction… immersive experiences are more and more hybrid!” – Oriane Hurard (Atlas V)