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“Motivating each choice narratively, keeping the world self-explanatory” – Jörg Tittel, Ryan Bousfield (THE LAST WORKER)
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Search results for: War on Screen
Article
“Motivating each choice narratively, keeping the world self-explanatory” – Jörg Tittel, Ryan Bousfield (THE LAST WORKER)
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“I strongly believe VR is here to bring people together, to challenge their perceptions of the world” – Ulrich Schrauth (LFF Expanded 2021)
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[Case Study] Interview with Gina Kim on BLOODLESS and TEARLESS
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“The inherent power of VR is to change our perspective on a story” – Nim Shapira, Roi Lev (BYSTANDING: THE FEINGOLD SYNDROME)
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“5G technology will accelerate the discovery of immersive creative content” – Morgan Bouchet, Guillaume Brunet (Orange)
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“We want to explore new narratives with EVOLVER” – Sam Pressman (Pressman Film)
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Diving into Canadian XR – Portrait of Ziad Touma (Couzin Films)
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“Virtual production can meet the requirements of feature film and audiovisual fiction” – Lancelot Rumney-Guggenheim (MADO XR)
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“It is our role at the Marché du Film to support all innovations” – Guillaume Esmiol (Cannes XR)
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“Beyond Reality continues to contribute to a global creative infrastructure” – Jay Kim (BIFAN)
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“With the XR medium we want to put people on scene” – Nonny de la Peña (Emblematic Group)
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After KNOT at Tribeca Immersive, Darkfield launched itself as a 100% digital audio platform for the US
