“XR creators have a role to play in the development of the immersive industry in Africa” – Arome Ibrahim (Experis Immersive)

Anita Abada

As XR continues to gain more ground in Africa, creators are delving into how extended reality can be beneficial to the advancement of development sectors in the continent. Notable for promoting the wave of sustainable development through XR is Ibrahim Arome, a Nigerian-based XR developer and founder of Experis Immersive. He is focused on how […]

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“I hope to get a better understanding of the use of space in a live XR installation” – Nicole C. Strasser (Nanuku.art)

As an artist and physicist Nicole works at the intersection of art, perception and science, striving to facilitate the integration of science & technology into art. We met with Nicole C. Strasser in Geneva during the last Geneva GIFF (and

With Venice Immersive 2022, the Biennale becomes the XR event not to be missed (and you don’t want to miss it).

Venice Immersive, the new title of the Venice VR Expanded section, intends to acknowledge the growth of immersive media beyond the technologies of Virtual Reality and to include all means of creative expression in XR – Extended Reality: 360° videos

Review⎪WE LIVE IN AN OCEAN OF AIR: The Essence of the Breath

For the first time since its Particles of Existence exhibit in 2018, PHI Centre is hosting a project by Marshmallow Laser Feast (MLF), one of the world’s leading immersive art collectives. We Live in an Ocean of Air—a twenty-minute VR

“To connect and share very real and intimate moments with refugees” – Michael Beets (THOSE LEFT WAITING)

“Those Left Waiting” is one of the first experiences we’ve participated in at CPH:DOX this year. A global live online documentary that brings audiences together with refugees around the world through the voice that matters most: theirs. Years ago, the

“We wanted to have the ability to film in VR as close as possible to the dishes” – Chloé Rochereuil, Victor Agulhon (BEHIND THE DISH)

Filming reality for virtual reality is often an outward-looking exercise. With their previous film, SURVIVING 9/11, the French company TARGO reconstructed the New York of 2001. Their latest production, BEHIND THE DISH (in 3 episodes), turns the camera towards a

“Film festivals have to approach immersive works from an artistic perspective, beyond any fascination with technology” – Elie Levasseur (Cannes Film Festival)

For the second consecutive year, the Cannes Film Festival showcased a Competition featuring nine immersive works. A market dedicated to immersive creation as a whole was also launched. This ambitious program reflects the growing interest of film festivals in immersive