Judi Alston – Building empathy through immersive storytelling

Across the last three decades, Judi Alston has stood as a bridge between traditional documentary filmmaking and new immersive practices. As the founder of One to One Development Trust and co-creative lead at Dreaming Methods, her work has consistently focused on how stories can empower communities, bring visibility to overlooked lives, and experiment with technology […]

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“We need to better support our approach to audiences interested in immersive art” – Michele Ziegler (NewImages 2023)

NewImages Festival returns from April 5 to 9 with a program still focused on professionals, but also two markets, conferences and meetings within the Industry Days, without forgetting the Competition and a weekend for the public. This will demonstrate the

L.E.V. Matadero 2022 unveils VORTEX and Ciudad Aumentada, a complementary immersive line-up

Matadero Madrid, center of contemporary creations belonging to Madrid City Council’s Department of Culture, presents this year’s new L.E.V. Matadero. The Festival of Visual Electronics and Extended Realities, organized by Matadero Madrid, Cineteca Madrid and Medialab at Matadero, and curated

FNC Explore unveils its 2020 online selection exclusively on Viveport

The Festival du nouveau cinéma de Montréal (FNC) is pleased to unveil its programming for FNC EXPLORE, presented by HTC Vive’s Viveport.

“The inherent power of VR is to change our perspective on a story” – Nim Shapira, Roi Lev (BYSTANDING: THE FEINGOLD SYNDROME)

Premiering at Tribeca last month, BYSTANDING: THE FEINGOLD SYNDROME is a hybrid docufiction immersive experience. Part testimonial, part expressive animations, part sociological study, BYSTANDING uses immersive storytelling to confront the viewer with the ultimate question: what would you do if

GLOW: Illuminating Innovation exhibition brightens London with cutting-edge immersive artworks by international women creators

There is a repeated cycle in every new form of technology when it emerges, when the rules haven’t yet been written or established, it is very inclusive and many people can experiment with it. It is in those early stages

“We are a social XR cultural hub” – Louis Cacciuttolo (VRrOOm)

Established in 2016 as a content platform, VRrOOm (link) is developing as a distribution platform for festivals with a service of (...)