A leading director on the Taiwanese and international scene, founder of the Very Mainstream Studio and Very Theatre in Taipei, Tung-Yen Chou is no stranger to the immersive sphere. Although his use of technology is already apparent in his theatrical and performance practice, his trilogy IN THE MIST (2020) / GAZING, IN THE MIST (2023) […]
Factory International and award-winning art collective Marshmallow Laser Feast (MLF) set out to redefine the boundaries of storytelling and cinema in the world premiere of SWEET DREAMS, a surreal, immersive journey through appetite, human desire and the evolving landscape of
How do you take a strong social theme (the end of life, a complex, if not taboo, subject) and turn it into a first-person story? MAMIE LOU, a project that has been acclaimed by professional markets in recent years (SACD
Being interested in digital creation means developing an unfailing curiosity… and often multiple skills. For Georgy Molodtsov, it’s almost a reflex. At the same time programmer for various festivals, director and author of several VR projects, but also very present
Put your controllers down. Now, you have the freedom to explore everything in PatchWorld’s creative music and media playground on Meta Quest using just your hands and familiar gestures. It’s all in the latest PatchWorld update, alongside a slew of
For her work BLOODLESS, Gina Kim received the Best VR Story Award from the Venice Film Festival in 2017. TEARLESS, the second installment of her trilogy on US military comfort women. I had the chance to share an in-depth conversation
CECI EST MON CŒUR (THIS IS MY HEART) is the new work by the Blies brothers (ZERO IMPUNITY), produced between Luxembourg, France and Canada by a_Bahn, Lucid Realities and PHI Studio. Previewed at Venice Immersive, the Venice Biennale, we present their