Originally, Ride FX was supposed to produce films for amusement parks—hence the name, inspired by Futuroscope-style rides. Covid struck in the year the company was founded, major contracts fell through, and the studio had to reinvent itself at lightning speed. The door that opened was cinema: in just a few years, Ride FX became one […]
Free-roam VR is entering a make-or-break phase: the sector doesn’t need more proof that the format can amaze—it needs infrastructure that helps it scale. In this episode of our FreeRoaming series, the conversation with David Bardos (Univrse) focuses on XRoam,
The 8th edition of the NewImages Festival opens its doors to professionals and the general public from Wednesday April 9 to Sunday. As a sign of the industry’s vitality, the market dimension has been expanded, and a variety of works
Being interested in digital creation means developing an unfailing curiosity… and often multiple skills. For Georgy Molodtsov, it’s almost a reflex. At the same time programmer for various festivals, director and author of several VR projects, but also very present
The Royal Shakespeare Company (RSC), in collaboration with Manchester International Festival (MIF), Marshmallow Laser Feast (MLF) and Philharmonia Orchestra will stage a live performance of Dream using motion capture as the culmination of a major piece of cutting-edge research and
Across the last three decades, Judi Alston has stood as a bridge between traditional documentary filmmaking and new immersive practices. As the founder of One to One Development Trust and co-creative lead at Dreaming Methods, her work has consistently focused
As in 2020, an immersive work takes up a lot of space. THE BOOK OF DISTANCE and GOLIATH: PLAYING WITH REALITY have in common a strong narrative, particularly anchored in the immersive medium, and a subject of extraordinary sensitivity. It