Originally, Ride FX was supposed to produce films for amusement parks—hence the name, inspired by Futuroscope-style rides. Covid struck in the year the company was founded, major contracts fell through, and the studio had to reinvent itself at lightning speed. The door that opened was cinema: in just a few years, Ride FX became one of the few studios in Brittany to combine post-production, VFX, and 3D animation, working on feature films such as Ghost Trail by Jonathan Millet (Critics' Week 2024), Yes by Nadav Lapid (Directors' Fortnight 2025), and…
Ride FX: from Omaha Beach to M. C. Escher, the immersive workshop in Brittany
