A Guide to Virtual Reality: Top 6 Experiences on Art and Artists

For a few years now, VR content releases have been multiplying, and that’s good news! Whether you are a beginner or not, here is a first guide to the best immersive content available – A selection by Gibby Zobel, filmmaker and journalist, who produces a regular alternative guide to the best content on the Quest 2.

Gibby’s Guide is now available on its official website! (link)

The Dawn of Art (Pierre Zandrowicz)

Black woolly rhinoceros locking horns, a quartet of horses, arctic musk oxen and a pride of lions. It must have been quite a shock when speleologist Jean-Marie Chauvet stepped into a cave in the South of France in 1994 and stepped back in time by 36,000 years. THE DAWN OF ART leads you inside what Werner Herzog has called the cave of forgotten dreams. A bear skull sits where it was carefully placed many, many millennia ago. The giant frescos – humanity’s first masterpieces – are some of the oldest drawings in the world. Narrated by Daisy Ridley, the animals spring from the walls as sparks of fire – animating the originals drawn in charcoal and engraved into the limestone walls.

The Dreams of Henry Rousseau (Nicolas Autheman)

‘I never went to Mexico, that was a lie I told people. In fact I’ve never been anywhere.’ It’s true. Henri Rousseau, famous for his depictions of tropical jungles, never left Paris. His psychedelic inspirations came only from the city’s botanical gardens. THE DREAMS OF HENRY ROUSSEAU, directed by Nicolas Autheman, leaves you in the greenhouse of the Jardin des Plantes after closing time and Rousseau’s shimmering art begins to reveal itself in the lush foliage. ‘I don’t feel afraid. There are other spirits in the forest, ‘ the narrator continues. The friendly face of a lion, the black snake charmer, the reclining nude – all figures from his most famous oil-on-canvas painting, ‘The Dream’.

This project is part of a collection by Arte France with:

Saturnism (Mihai Grecu)

Terrifying animation of Francisco Goya’s ‘Saturn Devouring His Son’. SATURNISM, directed by Mihai Grecu, is a visceral experience set in a dark and barren landscape of fear and without hope of escape. As hideous as the original.

Cesare’s Dream – In the Cabinet of Dr. Caligari (Sebastian Mattukat)

A century on from the expressionist silent film ‘The Cabinet of Dr. Caligari’, the mixed-media VR homage CESARE’S DREAM is still asking the same questions: ‘What is a dream, what is reality and who is in control?’

The Sun by Edvard Munch (Gebrueder Beetz)

Using the Ganzfeld effect of perceptual deprivation to create ‘hallucinations’ of colours, the experimental animation THE SUN attempts to recreate the intensity felt by Edvard Munch on seeing ‘The Sun. Using frequencies of sound and chromas that cut to white, your brain imprints their opposites on the blank canvas. Munch based his masterpiece on a sunrise on Norwegian coast, re-created here at the start of the film as a slow one-take time-lapse taken from the same spot, over a fjord in Kragerø.

Warning: This film features an optical technique that may be uncomfortable for some viewers

Dreams of Dali (Goodby Silverstein & Partners)

A stone-cold classic must-see, Dreams of Dalí is an epic fly-through the trippy surrealism of the Spanish painter. It begins in the desert as an ant-sized father and child gaze up at two towering praying figures, the scene from his work ‘Archaeological Reminiscence of Millet’s Angelus’. Although that painting is the anchor of the film, other iconic elements are introduced – a lobster phone rings under one of the towers, a girl is skipping rope, and the elephants on stilts trumpet under the crescent moon. With the echoing voice of Salvador himself, it’s an obra maestra on it’s own.

@ Dabatase

Leave a Reply

@ Magazine

Editorial⎜Apple Vision Pro: head in the virtual world, two feet on the ground

February 2024 is a historic month for the world of extended reality (XR) and its creators. And in more ways than one. If the launch of the Apple Vision Pro is an expected marker of wider adoption (to come), it

“Incoraggiare una cultura espositiva che supporti l’emergere di nuovi formati” – Liz Rosenthal (Venice Immersive 2024)

L’annuncio di oggi della line-up di Venice Immersive 2024 apre le porte alla nostra (frenetica) attesa per questo festival, che ogni anno supera le nostre aspettative portando qualcosa di nuovo ed emozionante al pubblico e a tutti gli addetti ai

“As producers, we are very excited to see a real LBVR business model around such vivid experiences” – Joel Newton, David Ganek (CityLights)

Since 2018, CityLights has pursued a pioneering path, investing in premium virtual reality experiences and bringing these stories to global audiences. With a passion for elevating VR storytelling to the professional level of traditional filmmaking, co-founders David Ganek and Joel

Innovate, Challenge, Succeed: Lynx Mixed Reality’s French odyssey into the world of immersive technology

Faced with the dominance of the tech giants, it’s rare to find start-ups that dare to dream big and challenge established norms. Lynx Mixed Reality is one such bold company we went to meet, and the object of our curiosity

Lincoln Center as an Open-Air Immersive Lab: Jordana Leigh’s Method for Bringing XR Into the Season

Immersive work is no longer a side attraction tacked onto a performing arts calendar. At the Lincoln Center for the Performing Arts in New York, it is increasingly treated as a programming language—one that can expand access, strengthen community ties,

“VR to create a resonance that pulls us back into our humanity” – Jamaica Heolimeleikalani Osorio (ON THE MORNING YOU WAKE)

On the morning you wake (to the end of the world) is one of the best VR pieces in the Sundance New Frontier 2022 lineup. We caught up with lead artist and activist Jamaica Heolimeleikalani Osorio to discuss the significance