“Integrating several mythologies into the story allowed us to develop a more universal experience” – Poulomi Basu, CJ Clarke (MAYA: THE BIRTH OF A SUPERHERO)

By turns a virtual reality animated film, an interactive pop culture experience or a work with an impact on the place of women in our societies (by questioning our view of female menstruation in adolescence), MAYA: THE BIRTH OF A SUPERHERO by Poulomi Basu and CJ Clarke is in Immersive Competition at Cannes 2024. The […]

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Decoding XR: a CPH:DOX Inter:Active 2021 commentary with Mark Atkin

A few days before the next CPH:DOX documentary festival (April 21 – May 12) we continue our discussion with Mark Atkin, its interactive programmer, about the works selected for this 2021 edition. No spoilers, but don’t miss them as every

“Virtual reality allows us to illustrate the temporality around the disappearance of glaciers” – Jaibao Li (ONCE A GLACIER)

ONCE A GLACIER (a 2023 SXSW selected experience) is a VR Film that puts the viewer in parallel with the perspective of a glacier, which have a life-span of tens of thousands of years, but are disappearing within the lifespan

No borders for the 3rd edition of NewImages

From September 23 to 27 2020 (Paris, France) - Entirely dedicated to the digital and virtual worlds (VR, AR, mixed reality, mapping, (...)

Report⎪VR Day at the Lux Film Festival 2024: an overview of the XR ecosystem

Luxembourg has been known for its support of innovative audiovisual industries for many years, becoming a creative and financial crossroads for international co-productions between Europe, North America and Asia. Alongside its film festival, the Luxembourg City Film Festival, and its

On the immersive projects selected for 2022 Venice Gap-Financing Market

From September 2 to September 4, La Biennale di Venezia will host the 9th edition of the Venice Gap-Financing Market. Find out more about the 16 immersive projects selected for this 2022. Nine years ago, in order to fill a

“LE BAL DE PARIS DE BLANCA LI is a multi-user live show in virtual reality” – Jonathan Tamene (BackLight)

There’s no stopping BackLight! The French studio spread its wings despite Covid, installing one of its OZ rooms in Las Vegas (and soon in Europe) and taking BLANCA LI’s PARIS BAL to Venice for the Biennale – where the project