“With Surround Sync, we combine immersive and cinematic viewing experiences to offer our audience the very best” – Briege Whitehead (White Spark Pictures)

“VR cinema”: an idea as old as the return of virtual reality content to the general public 10 years ago. It has naturally occurred with the increasing accessibility of headsets, their price and the software interfaces enabling them to be synchronised. Developing both production and distribution models for the last 6 years, Australian documentary production […]

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“VR to create a resonance that pulls us back into our humanity” – Jamaica Heolimeleikalani Osorio (ON THE MORNING YOU WAKE)

On the morning you wake (to the end of the world) is one of the best VR pieces in the Sundance New Frontier 2022 lineup. We caught up with lead artist and activist Jamaica Heolimeleikalani Osorio to discuss the significance

XRMust XR Awards 2022: A Year in Immersive Storytelling

Could this be the year of a “return to normal”? In reality, the pandemic years didn’t slow down the release of XR experiences (360 or interactive), but the return of physical events seems to benefit a better exposure of all

“Merging the experimental and intimate format of VR with a story to tell in a personal way” – Charlie Shackleton (AS MINE EXACTLY)

AS MINE EXACTLY is a personal and intimate VR work and performance that gives us a glimpse into the life of its director Charlie Shackleton and his experience with epilepsy. This is not the first time we talk about the

Editorial⎪In the midst of advanced XR technologies, old-school tech interactives can still pack a punch

An AI-generated trans drag show, a dystopian game about digital “security” and an almost pornographic immersive VR piece about gay saunas in Taiwan. These were some of the pieces at the recent CPH:DOX interactive program, where vulnerability and marginalized narratives

“Growing up in the VR world, growing up in the story” – Lou Ward, Shimon Alkon, Lara Bucarey (Tinker Studio)

In the lineup of the New Frontier section at Sundance Film Festival, TINKER is an un unscripted and interactive, virtual reality theatre performance about Alzheimer’s, relationships and building memories together. The moment that really marks the beginning of the new

“Since its creation, the GIFF has been a meeting platform for all actors of the cultural and creative industries ” – Anaïs Emery (General and artistic director)

The Geneva GIFF is back to 100% physical this year for an edition for the public but also for professionals (with the Geneva Digital Market). The opportunity to celebrate a 27th anniversary post-Covid in great shape. Interview with Anaïs Emery,