Exploring the evolution of immersive performance with the creators of UNCANNY ALLEY: A NEW DAY (part 2)

Agnese Pietrobon

In the first part of this article, we had the chance to introduce the fascinating world and engaging experience of UNCANNY ALLEY: A NEW DAY directed by Stephen Butchko and Rick Treweek, and produced by Ferryman Collective and Virtual Worlds Company, uncovering one of the fundamental challenges of live immersive performances: finding actors capable of […]

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Not gonna lie: this part is locked

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Diving into Canadian XR – Portrait of Ziad Touma (Couzin Films)

As part of an initiative led by the cultural services of the French Embassy in Canada, coordinated by Alliance Française de Vancouver in partnership with Xn Québec, Québec/Canada XR is proposing a series of portraits of the XR industry in

”Exploring a technological format that could affect the content” – Gaelle Mourre (MECHANICAL SOULS)

The doors of virtual universes open again at New Frontier, the immersive section of the Sundance 2019’s festival. This year the regulars of the event in Park City will discover 2 sections dedicated to VR & AR content, including a

To follow: a Twitter list of XR influencers

Social networks and private groups are used to share news and events. Not the fear of missing something, but certainly the idea of (...)

“Innovation in XR must come from content, not technology” – Ulrich Schrauth (LFF Expanded 2023)

One of London’s annual XR events, the BFI London Film Festival’s LFF Expanded program, kicks off in a few days’ time (6-22 October 2023). 14 projects from around the world will be presented, showcasing a wide array of immersive art

“By the end of May 2024, LIFE CHRONICLES will be available in 4 cities in France and internationally” – Stephanie Targui (Museum national d’Histoire naturelle)

The Muséum national d’Histoire naturelle was one of the first cultural venues to open a permanent exhibition space dedicated to virtual reality. Stéphanie Targui was the driving force behind the museum’s decision to integrate VR into its programming, and she

“It seemed essential to us to offer a truly positive and enlightening experience, and not a documentary on the end of life” – Isabelle Andreani (NANA LOU)

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