Exploring the evolution of immersive performance with the creators of UNCANNY ALLEY: A NEW DAY (part 2)

In the first part of this article, we had the chance to introduce the fascinating world and engaging experience of UNCANNY ALLEY: A NEW DAY directed by Stephen Butchko and Rick Treweek, and produced by Ferryman Collective and Virtual Worlds Company, uncovering one of the fundamental challenges of live immersive performances: finding actors capable of […]

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Not gonna lie: this part is locked 😬

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“Our program reflects the renewed confidence and stability of the XR market” – Benjamin de Wit (Immersive Tech Week, VRDays Foundation)

Immersive Tech Week (ex-VRDays) returns to Rotterdam at the end of November, its new home since the 2022 edition. A post-Covid revival that also marks the confirmation of one of the biggest forums dedicated to immersive technologies in Europe, all

“With LES AVEUGLES, it is the strength of a great classic text that unleashes innovation and the use of technology” – Julien Dubuc (INVIVO)

Innovation and virtual reality in live performance are a field of exploration for many. As far as the Lyon-based collective INVIVO is concerned, this has been a constant approach for almost ten years. Their latest show LES AVEUGLES, currently on

“XR is first and foremost a community moving forward together into the future” – Isabel De Peuter-Rutten (Euromersive)

Getting involved in new technologies often requires a strong “Swiss army knife” capability. Isabel De Peuter-Rutten is one of XR’s ambassadors, claiming this ability to tackle head-on a range of subjects at the heart of our social and digital transformations.

With CIIIC, the Netherlands aims to become a champion of immersive technology

In the context of the international structuring of XR, the Netherlands has, in recent months, set up a national program dedicated to accelerating immersive applications: XR, augmented reality, mixed reality, etc. Entitled CIIIC (Creative Industries Immersive Impact Coalition), it aims

XRMust XR Awards 2023: A Year in Immersive Storytelling

As we embark on a pivotal year for immersive creation (really?), a glance at 2023 immediately confirms that it’s already well established in our habits. The arcade network is back stronger than before, cultural venues are programming VR events, online

“Music should be used as an interactive component for the viewer” – Cyrille Marchesseau (PAPER BIRDS)

Long before the global health crisis, French composer Cyrille Marchesseau (based in Bordeaux) was already used to working remotely. Whether for French, Argentinean or American productions, the author of the soundtracks for GLOOMY EYES, JAILBIRDS or PAPER BIRDS (among others)