A look at TRACES : THE GRIEF PROCESSOR, and the invisible pain that we carry

Montreal made, multi-user interactive VR experience TRACES : THE GRIEF PROCESSOR, directed by Vali Fugulin, invites you to explore your own grief with others. It was recently selected at SXSW and nominated for Best in XR at Games for Change 2025 Festival. Are you rushing around with a full inbox and an even fuller head? […]

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@ Magazine

“Latin-American XR creators explore new models of development despite the lack of financing” — Damián Kirzner (Mediamorfosis)

The annual Newimages Festival in Paris dedicated this year one of the sections to the Latin-American XR industry. Damián Kirzner, Founder and Director of Mediamorfosis, and Catalina Alarcón Reyes, Director and Producer of the Chilian sociocultural project VOLVER A CASA,

“We must bring digital storytelling to a mass audience” – Andrés Jarach (FIPADOC Smart)

Andrés Jarach is a long-term narrative creator, who has explored many formats and directs - often with his lifelong accomplice Gordon (...)

“A work that showed us how art can foresee reality” – Pedro Harres, Angelina Urbanczyk (FROM THE MAIN SQUARE)

Winner of the Venice Immersive Grand Jury Prize, Pedro Harres’ From the Main Square is a surprising (and stunning!) VR debut that combines a clear understanding of immersive storytelling with a story and graphics that leave a mark on the

International XR coproduction: the bond between France and Taiwan

For the Kaohsiung Film Festival 2024, the French Office in Taipei (official website) has teamed up with XRMust to cover this year’s French XR delegation. With a strong presence both in Competition and on the industry side, French creators and

“Non solo un momento di ideazione, ma una vera e propria fase di sviluppo per costruire solide fondamenta ai progetti selezionati” – Maïwenn Blunat (CPH:LAB)

Bentornato, CPH:LAB! Dopo aver seguito da vicino l’edizione 2022-2023, non potevamo *non* parlare di nuovo del programma di sviluppo creativo di CPH:DOX, che “incoraggia l’assunzione di rischi creativi, celebra i talenti grezzi, facilita la collaborazione al di là dei confini

“While producing our experiences with LBE venues, we need to keep the story at the core of the project ” – Mads Damsbo, Mikkel Skov (MAKROPOL 2/2)

Producer of digital content since 2011, the Danish company Makropol has experimented on all media: LBE since 2014, VR film… On the occasion of the release of their latest productions (END OF NIGHT, ARTIFICIAL AWAKENING, SHADOW…), we met Mads Damsbo,