Nocturne Immersion: Villa Albertine explores new forms of stage writing in New York

Held on November 6 in New York, Nocturne Immersion (link) marked a new step in Villa Albertine's strategy to support immersive creation and transatlantic ties between France and the United States. Designed with Dark Euphoria, the program was part of Novembre Numérique, a global initiative by the Institut français dedicated to digital cultures. Between professional […]

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“Film festivals have to approach immersive works from an artistic perspective, beyond any fascination with technology” – Elie Levasseur (Cannes Film Festival)

For the second consecutive year, the Cannes Film Festival showcased a Competition featuring nine immersive works. A market dedicated to immersive creation as a whole was also launched. This ambitious program reflects the growing interest of film festivals in immersive

“We must bring digital storytelling to a mass audience” – Andrés Jarach (FIPADOC Smart)

Andrés Jarach is a long-term narrative creator, who has explored many formats and directs - often with his lifelong accomplice Gordon (...)

“We formatted the project in such a way as to appeal to the widest possible audience” – Lui Avallos (QUEER UTOPIA: ACT 1 CRUISING)

Lui Avallos’ QUEER UTOPIA: ACT 1 CRUISING a queer man who is losing his memory recalls times from a public bathroom in his past, where he had experiences of danger, pleasure and shame. A project developed through the Biennale College,

Editorial⎜A look back at Verzio’s Vektor VR “Misunderstood Bodies”

For five years now, Ágnes Karolina Bakk and András Szabó have brought tightly curated VR exhibits to the Verzio Human rights documentary festival. In 2015, VR’s second wave was ushered in by a human rights documentary that its director, Chris

“With LES AVEUGLES, it is the strength of a great classic text that unleashes innovation and the use of technology” – Julien Dubuc (INVIVO)

Innovation and virtual reality in live performance are a field of exploration for many. As far as the Lyon-based collective INVIVO is concerned, this has been a constant approach for almost ten years. Their latest show LES AVEUGLES, currently on

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Touching virtual worlds with your fingertips is one of the goals of Swiss start-up Sensoryx, which has focused its efforts on haptic devices: developing accessories that can improve our interactions in virtual reality. And to approach the precision of the