A STATUE FOR LIBERTY at the Musée d’Orsay, Paris: toward a sustainable model for immersive exhibitions?
With A STATUE FOR LIBERTY. BARTHOLDI’S DREAM, FROM PARIS TO NEW YORK, the Musée d’Orsay and Musée de…
Category
Culture / Institutions
Articles, interviews and analysis from XRMust.
31
articles Showing 1–12
TRAVERSE: building a network of French cultural venues for immersive works
How can virtual reality works be given a lasting life beyond the circuit of festivals and temporary exhibitions?…
Immersive Arts UK: How the UK Is Building a Shared Framework for Immersive Creation
Three years after its launch, Immersive Arts has taken a particular position within the UK immersive landscape. The…
At the Museum of Science, Boston, Immersion Enters the Institutional Conversation
At the Museum of Science, Boston, immersive media is not described by James Monroe (Senior Creative Director, Strategic…
PAM CUT and the Art of Not Defining Immersive
In this industry, there’s a never-ending conversation about “what is immersive?”, and the definition usually differs depending on…
FreeRoaming #06 — From Projection to VR: Toward Truly Hybrid Immersive Venues
Immersive venues have long developed along relatively separate technical paths. On one side are large-scale projection spaces designed…
Museu da Imagem e do Som do Ceará: Reflecting on Immersion Through Archives and Territories in Brazil
In Fortaleza, the Museu da Imagem e do Som do Ceará (MIS CE) occupies a distinctive position. It…
Temple of Light: From China to International Markets, Thinking Immersion Through Place
As a distributor and operator of immersive experiences, Temple of Light developed from a territory that deeply shaped…
The Society for Arts and Technology in Montreal, 30 Years of Living Memory: “To Continue to Be a Place Where People Can Experiment”
For an institution dedicated to the arts and technology, turning thirty is more than just an anniversary. It’s…
Lincoln Center as an Open-Air Immersive Lab: Jordana Leigh’s Method for Bringing XR Into the Season
Immersive work is no longer a side attraction tacked onto a performing arts calendar. At the Lincoln Center…
BLACK CATS & CHEQUERED FLAGS: a museum-ready location-based XR blueprint led by Elisabetta Rotolo
Museums are no longer asking whether immersive experiences “can work” in their walls. The real question is whether…
BOZAR: anatomy of an institutional model for European immersive art
European XR is going through a gray area: ambitious works are proliferating, festivals are multiplying, public funding is…