PAM CUT and the Art of Not Defining Immersive
In this industry, there’s a never-ending conversation about “what is immersive?”, and the definition usually differs depending on…
Category
Culture / Institutions
Articles, interviews and analysis from XRMust.
27
articles Showing 1–12
FreeRoaming #06 — From Projection to VR: Toward Truly Hybrid Immersive Venues
Immersive venues have long developed along relatively separate technical paths. On one side are large-scale projection spaces designed…
Museu da Imagem e do Som do Ceará: Reflecting on Immersion Through Archives and Territories in Brazil
In Fortaleza, the Museu da Imagem e do Som do Ceará (MIS CE) occupies a distinctive position. It…
Temple of Light: From China to International Markets, Thinking Immersion Through Place
As a distributor and operator of immersive experiences, Temple of Light developed from a territory that deeply shaped…
The Society for Arts and Technology in Montreal, 30 Years of Living Memory: “To Continue to Be a Place Where People Can Experiment”
For an institution dedicated to the arts and technology, turning thirty is more than just an anniversary. It’s…
Lincoln Center as an Open-Air Immersive Lab: Jordana Leigh’s Method for Bringing XR Into the Season
Immersive work is no longer a side attraction tacked onto a performing arts calendar. At the Lincoln Center…
BLACK CATS & CHEQUERED FLAGS: a museum-ready location-based XR blueprint led by Elisabetta Rotolo
Museums are no longer asking whether immersive experiences “can work” in their walls. The real question is whether…
BOZAR: anatomy of an institutional model for European immersive art
European XR is going through a gray area: ambitious works are proliferating, festivals are multiplying, public funding is…
Nocturne Immersion: Villa Albertine explores new forms of stage writing in New York
Held on November 6 in New York, Nocturne Immersion (link) marked a new step in Villa Albertine's strategy…
One big family: Onassis, ONX and the intersection of culture, technology and art
The Onassis Foundation has a big mission: to be a catalyst and embrace constant innovation and creative disruptions…
“A focus on cross-arts programming, with immersive being the sixth art form” – Luke Kemp (Barbican Immersive)
As we await the opening of an exciting new exhibition at London’s Barbican Centre, titled Feel the Sound…
“Executive production as an act of curation” – Liz Rosenthal (Power to the Pixel)
After the recent run at The Observatory in London of Soul Paint, the multi-award winning virtual reality experience…