Lincoln Center as an Open-Air Immersive Lab: Jordana Leigh’s Method for Bringing XR Into the Season

Mathieu G.

Immersive work is no longer a side attraction tacked onto a performing arts calendar. At the Lincoln Center for the Performing Arts in New York, it is increasingly treated as a programming language—one that can expand access, strengthen community ties, and give artists new ways to stage emotion, memory, and presence. In this conversation with […]

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“We need to offer artists a place to express themselves” – Ari Tarr (OFF-RAIL / SEIKUKEN)

Not only Ari Tarr’s latest works offer actors and improvisers a space where they can express themselves. They also open a path to better understand the audience and the psychology behind VR, human interactions and human behaviour. We discussed with

“We must bring digital storytelling to a mass audience” – Andrés Jarach (FIPADOC Smart)

Andrés Jarach is a long-term narrative creator, who has explored many formats and directs - often with his lifelong accomplice Gordon (...)

Bruno Ribeiro’s visual creation, or monumental live performance as cinematic art

Bruno Ribeiro describes himself as a show director and media artist, with a straightforward guiding principle: to create experiences that transform perception by working with image, sound, space, and time. This isn’t theoretical—it’s a way of approaching creation as a

The 360 Film Festival unveils its hybrid 2020 edition

More than 90 creations were received from 22 countries. 23 works were selected including 9 interactive, 9 360 videos, 3 Large Formats (...)

“A film about love, the love that binds us to the people we care about most” – Darren Emerson (LETTERS FROM DRANCY)

One of the most loved immersive experiences at the Lazzaretto Vecchio, where it had its world premiere, LETTERS FROM DRANCY is a deeply moving piece about the relationship between a mother and daughter separated by the tragedy of the Holocaust.

“Executive production as an act of curation” – Liz Rosenthal (Power to the Pixel)

After the recent run at The Observatory in London of Soul Paint, the multi-award winning virtual reality experience by Sarah Ticho and Niki Smit (and one of the winning pieces of XRMust’s 2024 XR Awards), we met with executive producer