Inside Venice Gap Financing 2023: AN EMPTY SEAT (Art et essai, Makropol)
The Venice Gap-Financing Market returns for its 10th edition (Sept. 1-3), with a selection of 14 immersive pieces…
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XR Magazine
Articles, interviews and analysis from XRMust.
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articles Showing 361–372
“To travel back in your imagination and memories and relive them” – Ana Ribeiro, Ricardo Justus, Ricardo Laganaro (PIXEL RIPPED 1978)
Following the recent announcement of their presence in the Venice Immersive 2023 lineup as one of the 10…
StoryFutures Xperience launched in the UK, a new VR showcase available in independent cinemas and arts centres
StoryFutures is delighted to launch ‘StoryFutures Xperience’, which will showcase VR experiences in leading independent cinemas and arts…
“Immersing the viewer is the art of losing them in the experience” – Yolanda Markopoulou (WHITE DWARF, PARADISE LOST)
Immersive art is a creative field that continually welcomes newcomers from other horizons. Yolanda Markopoulou is a theatre…
“We are moving toward a market mentality, which is absolutely necessary for immersive media to grow” – Liz Rosenthal, Michel Reilhac (Venice Immersive 2023)
44 projects from 25 countries and 24 works in the Worlds Gallery: with just over a month to…
Venice Immersive 2023: A Complete Line-Up
The selection of projects for Venice Immersive, the XR – Extended Reality section of the 80th Venice International…
“Using entertainment to expand representation on a global scale” – Michaela Ternasky-Holland, Julie Cavaliere, Eleanor Thibeaux (REIMAGINED VOLUME II: MAHAL)
We discovered the surprising folklore narrated in the first episode of the Reimagined series at Venice Immersive 2022.…
“In THE WRECK, you embody the heroine’s vital drive, and without you, she’ll never make it” – Florent Maurin (The Pixel Hunt)
The world of independent video games is littered with narrative experiences of ambitious emotional scope. With their latest…
“ I basically designed a game to inflict trauma on people in a weird way, so that they would understand rejection, shame, and acceptance” – Taylor McCue (HE FUCKED THE GIRL OUT OF ME)
He Fucked the Girl Out of Me premiered at IDFA in 2022. The video game piece explores sex…
“A project as culturally and historically accurate as possible” – Eloise Singer (THE PIRATE QUEEN)
After its premiere at Raindance 2022, Singer Studios' beautiful latest work, THE PIRATE QUEEN, began an exciting new…
“Our aim is to use digital technologies to protect heritage and history, especially in war-torn countries” – Yves Ubelmann (Iconem)
Yves Ubelmann, founder and CEO of Iconem, a company specializing in heritage digitization, tells us about his teams'…
Climate agency in Virtual Reality: GONDWANA Exhibition Pioneers a New Era of Immersive Experiences at Wales Millennium Centre
Astrea is thrilled to announce the upcoming world premier exhibition of GONDWANA by revolutionary XR artists Ben Joseph…