“On Lazzaretto Vecchio we will welcome the largest event for XR creators” – Liz Rosenthal, Michel Reilhac (Venice Immersive)
Until 2019 the Venice Film Festival was known to host the virtual reality paradise for all creators, with…
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XR Magazine
Articles, interviews and analysis from XRMust.
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With Venice Immersive 2022, the Biennale becomes the XR event not to be missed (and you don’t want to miss it).
Venice Immersive, the new title of the Venice VR Expanded section, intends to acknowledge the growth of immersive…
“While producing our experiences with LBE venues, we need to keep the story at the core of the project ” – Mads Damsbo, Mikkel Skov (MAKROPOL 2/2)
Producer of digital content since 2011, the Danish company Makropol has experimented on all media: LBE since 2014,…
“We want to prove there is some viability in the XR creative process” – Mads Damsbo, Mikkel Skov (MAKROPOL 1/2)
Producer of digital content since 2011, the Danish company Makropol has experimented on all media: LBE since 2014,…
Editorial⎪Crafting a Market for Independent XR – A Review
Recently, a major report studying what I refer to as the narrative XR arts sector has been published…
“Our experience is all about meeting these women and explaining their situation” – Joanne Popińska, Tom C. Hall (THE CHOICE)
Rarely has the political and social context justified the presence of a documentary at the heart of festivals…
“GENESIS holds many firsts for us” – Maria and Jörg Courtial (Faber Courtial)
Founded by Maria & Jörg Courtial, the German production company Faber Courtial is one of the most prolific…
SPACE EXPLORERS: ARTEMIS ASCENDING will take Felix & Paul Studios to the moon
SPACE EXPLORERS: ARTEMIS ASCENDING to be broadcast on Meta Quest Horizon Worlds, on Facebook 360 and in person…
WIP Annecy 2022 / A look at WALLACE & GROMIT: THE GRAND GETAWAY with Aardman, Atlas V, No Ghost
This year XR@Annecy offered 3 work-in-progress sessions on XR experiences currently in production. Headliners were the protagonists of…
“Our priority is to create our experiences for a general audience in cultural venues” – Arnaud Desjardins (Femme Fatale Studio)
From web creation to immersive experiences, Femme Fatale Studio is a collective of French artists and developers built…
“This year we have received many XR impact works” – Yves Nougarède, Gala Frecon (Annecy Film Festival)
The sun was out for the return of a very physical Annecy festival, the most important worldwide meeting…
“AR as a way to reach a wider audience” – Julian Dorado, Camila Marturano (IAGO: THE GREEN EYED MONSTER)
Presented at Tribeca Immersive 2022, IAGO: The Green Eyed Monster is a prequel to Shakespeare’s Othello that uses…