“AR as a way to reach a wider audience” – Julian Dorado, Camila Marturano (IAGO: THE GREEN EYED MONSTER)
Presented at Tribeca Immersive 2022, IAGO: The Green Eyed Monster is a prequel to Shakespeare’s Othello that uses…
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XR Magazine
Articles, interviews and analysis from XRMust.
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Review⎪LUSTRATION: connecting mainstream audiences to immersive stories
Lustration VR is a 4-episode virtual reality series made using Quill and available on Oculus TV that will…
“Making a 5 episode VR series was an epic production challenge!” – Oriane Hurard, Clement Deneux (MISSING PICTURES)
Several years ago, Atlas V initiated an extraordinary project: to propose a virtual reality series about great filmmakers…
“Redefining the relationship between IRL, online and VR components” – Ana Brzezińska (Tribeca Immersive)
An exciting new edition of the Tribeca Film Festival kicks off today, with an immersive section that reflects…
“Immersive industry grows in contact with traditional cultural institutions” – Stéphane Malagnac (PiXii – Sunny Side of the Doc)
The PiXii Festival is back this year for another 100% physical edition in La Rochelle. Event dedicated to…
Tribeca and SXSW XR alumni BREONNA’S GARDEN continues its journey across the US
Last year, in solidarity with Breonna Taylor’s family, artist and curator Lady Pheønix developed BREONNA’S GARDEN, a revolutionary…
A new study by Quebec/Canada XR takes a unique look at the current state of the XR creative ecosystem
After an unveiling at SODEC's pavillon Québec créatif in the heart of the International Village of the Marché…
A new VR work from Georgia at La Biennale di Venezia: I PITY THE GARDEN (by Mariam Natroshvili and Detu Jincharadze)
I PITY THE GARDEN by Tbilisi-based artist duo Mariam Natroshvili and Detu Jincharadze is an immersive artwork about…
Immersive studio Giioii is adapting theater XR performance WELCOME TO RESPITE for Korea
Digital Broadway emerges as pioneers in the VR theater world team up to bring a show that originated…
“With the Cannes experience on Fortnite, we open the festival to a new connected generation” – Adrien Torres (Brut)
For its 75th anniversary, the Cannes Film Festival renews its media partners, and starts a collaboration with a…
“With our company we want to push further the XR production and distribution in Japan” – Tetsuya Ohashi (Cinemaleap)
Cinemaleap is one of the most active XR companies in Japan. As a content producer (FEATHER, BEAT, Clap…),…
“The maturity of the XR creation is felt in its diversity of proposals, and the interest of cultural venues worldwide” – Elie Levasseur (NewImages)
The NewImages festival returns to Paris for a 2022 edition from June 8 to 12, with a real…