TAICCA (Taiwan) presents its 2022 Venice Immersive / Production Bridge line-up
In the spotlight this year at the invitation of the 2022 Venice Production Bridge (VPB) of the prestigious…
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XR Magazine
Articles, interviews and analysis from XRMust.
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Open City Doc’s Expanded Realities is back in September with a full line-up
Open City Documentary Festival is excited to announce the full programme for its twelfth edition, taking place in…
On the immersive projects selected for 2022 Venice Gap-Financing Market
From September 2 to September 4, La Biennale di Venezia will host the 9th edition of the Venice…
NEWVIEW AWARDS 2022 – Call for XR contents!
The collaborative program named NEWVIEW from Psychic VR Lab Co., Ltd., Parco Co., Ltd., and Loftwork Co., Ltd.…
“We decided to create an experience on the need to get rid of prejudices as humanity” – İrem Çoban (SIGIL)
Despite the growing sense within me that creative XR is dominated by a few particularly indulgent markets, a…
“We bring a lot of our own lives into our characters” – Fabito Rychter, Amir Admoni (LAVRYNTHOS)
If you've been around the immersive festivals this year, chances are you've come across Fabito Rychter and Amir…
“To use technologies in an engaging way” – Vincent Steenhoeck, Urs Nyffenegger (EVOKE STUDIOS)
Over the past two years, the link between virtual worlds and live events has become increasingly close. Covid19…
“On Lazzaretto Vecchio we will welcome the largest event for XR creators” – Liz Rosenthal, Michel Reilhac (Venice Immersive)
Until 2019 the Venice Film Festival was known to host the virtual reality paradise for all creators, with…
With Venice Immersive 2022, the Biennale becomes the XR event not to be missed (and you don’t want to miss it).
Venice Immersive, the new title of the Venice VR Expanded section, intends to acknowledge the growth of immersive…
“While producing our experiences with LBE venues, we need to keep the story at the core of the project ” – Mads Damsbo, Mikkel Skov (MAKROPOL 2/2)
Producer of digital content since 2011, the Danish company Makropol has experimented on all media: LBE since 2014,…
“We want to prove there is some viability in the XR creative process” – Mads Damsbo, Mikkel Skov (MAKROPOL 1/2)
Producer of digital content since 2011, the Danish company Makropol has experimented on all media: LBE since 2014,…
Editorial⎪Crafting a Market for Independent XR – A Review
Recently, a major report studying what I refer to as the narrative XR arts sector has been published…