“The maturity of the XR creation is felt in its diversity of proposals, and the interest of cultural venues worldwide” – Elie Levasseur (NewImages)
The NewImages festival returns to Paris for a 2022 edition from June 8 to 12, with a real…
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XR Magazine
Articles, interviews and analysis from XRMust.
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“As Impact Producers, it’s an opportunity to work on large creative projects such as ON THE MORNING YOU WAKE” – Susanna Pollack (Games for Change)
Featured at Sundance and SXSW, ON THE MORNING YOU WAKE (TO THE END OF THE WORLD) is the…
“It’s not about promoting a technology, but a new narrative” – Sönke Kirchhof (INVR.SPACE)
At Stereopsia Europe 2021, Sönke Kirchhof was everywhere. On the VR headsets, in the conferences and discussions, and…
« An erotic experience in virtual reality is to convene imaginary and narratives for the bodies » – Cathline Smoos (IMBUE VR)
Based in Barcelona, the French Cathline Smoos and her team have developed an erotic content application for virtual…
“We need to open up formats, genres to draw inspiration from each creative industry” – Yvonne Grzenkowicz (ANNY)
Animation Nights New York (ANNY) is a monthly screening event and annual festival based in New York, created…
Laval Virtual 2022⎪4 experiences not to be missed
The 24th edition of the Laval Virtual exhibition ended a week ago. The largest European exhibition on virtual…
“Our DNA remains the cinema, but our ambitions on the XR increase with each edition” – Guillaume Esmiol (Cannes XR)
On the momentum of the 2021 revival, the Marché du Film (of the Cannes Film Festival, the world’s…
From Bloodbath to Hammam: goEast explores new territories of XR and awards WIP Projects
The 22nd edition of goEast – Festival of Central and Eastern European Film marks a significant change of…
Decoding XR: SURVIVING 9/11, Victor Agulhon, Chloe Rochereuil (Targo)
Last year, one of the Targo productions (a VR documentary production company based in France) was released on…
“Stories that are important for me to tell are often stories that take me out of my comfort zone” – David Adler (END OF NIGHT x SHADOW)
When history reveals its human soul: a closer look at the content and meaning of END OF NIGHT…
“We allow anyone to bring their creative practice into XR for the first time” – Brendan Bradley (OnBoardXR)
Best known for his VR performance in several plays (including JETTISON, NON-PLAYER CHARACTER, THE SEVERANCE THEORY: WELCOME TO…
“We are now thinking about the philosophy behind VR and the stories we want to tell with it” – Uri Kranot (WE ARE AT HOME)
After its success at the Tribeca Film Festival and NewImages in Paris, WE ARE AT HOME, by filmmakers…