Despite the growing sense within me that creative XR is dominated by a few particularly indulgent markets, a compelling case can be made that the
If you’ve been around the immersive festivals this year, chances are you’ve come across Fabito Rychter and Amir Admoni, Brazilian creators whose project LAVRYNTHOS has
Over the past two years, the link between virtual worlds and live events has become increasingly close. Covid19 has fast-tracked what was already a road
Until 2019 the Venice Film Festival was known to host the virtual reality paradise for all creators, with a dedicated island for the presentation of
Venice Immersive, the new title of the Venice VR Expanded section, intends to acknowledge the growth of immersive media beyond the technologies of Virtual Reality
Producer of digital content since 2011, the Danish company Makropol has experimented on all media: LBE since 2014, VR film… On the occasion of the
Producer of digital content since 2011, the Danish company Makropol has experimented on all media: LBE since 2014, VR film… On the occasion of the
Recently, a major report studying what I refer to as the narrative XR arts sector has been published by Québec/Canada XR, and it’s as comprehensive
Rarely has the political and social context justified the presence of a documentary at the heart of festivals and, hopefully, soon available to all. The
Founded by Maria & Jörg Courtial, the German production company Faber Courtial is one of the most prolific XR companies in Germany in the production
