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“A growing interest in telling big stories through a language that’s much closer to cinema than in the past” – Liz Rosenthal, Michel Reilhac (Venice Immersive 2025)
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Search results for: War on Screen
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“A growing interest in telling big stories through a language that’s much closer to cinema than in the past” – Liz Rosenthal, Michel Reilhac (Venice Immersive 2025)
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Official 2025 Venice Immersive Selection and Competition Unveils 69 projects from 27 countries
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A look at TRACES : THE GRIEF PROCESSOR, and the invisible pain that we carry
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Editorial⎜Five Reasons Why I Keep Falling for CPH:DOX Inter:Active
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“Form follows people… and the stories they want to tell” – Stephan Bernardes, Lukas Koll (Arkanum Pictures)
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Preview⎜“In Search of Us”, a 2025 Tribeca Immersive line-up, with Onassis ONX and Agog
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“Film festivals have to approach immersive works from an artistic perspective, beyond any fascination with technology” – Elie Levasseur (Cannes Film Festival)
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“I’m intrigued by AR’s power to transform the world we’re already in, simply by adding a layer of narrative” – Robert Morgan
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REFLECTIONS OF LITTLE RED DOT: an open-world mixed reality documentary with heart and soul
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From the MIT Media Lab x WORLDING 2025: “We want to learn from you”
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Supporting creative diversity: When NewImages Festival re-examines narratives
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“We are living a technological revolution” – Violeta Ayala (HUK, THE JAGUARESS @ CPH:DOX Inter:Active)