“The way we show immersive productions has changed a lot” – Anaïs Emery (GIFF 2024)
The program of the Geneva International Film Festival 2024 was announced last week. Now in its 30th edition,…
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Articles, interviews and analysis from XRMust.
The program of the Geneva International Film Festival 2024 was announced last week. Now in its 30th edition,…
Celebrating its 10th year of innovative, immersive programming, DOK Neuland, DOK Leipzig is expanding its offering and ambitions…
Last year, the Art*VR festival repositioned Prague and Eastern Europe on the map of XR events, in what…
A leading programmer of digital and immersive culture, Ulrich Schrauth, joined the BFI London Film Festival in 2020…
(This article was originaly published in French) If accessibility, enshrined in French law, is everyone's business, what is…
L’annuncio di oggi della line-up di Venice Immersive 2024 apre le porte alla nostra (frenetica) attesa per questo…
We have now come to the third and final part of our excursus on the CPH:LAB and the…
The world’s premier animation festival, Annecy (and its market, MIFA), is well aware of immersive innovations. With an…
Last week, we presented you with the first three projects selected for the 2023/2024 edition of the CPH:LAB.…
The new edition of the CPH:Lab came to an end a few weeks ago and once again it…
There is a repeated cycle in every new form of technology when it emerges, when the rules haven’t…
Luxembourg has been known for its support of innovative audiovisual industries for many years, becoming a creative and…