Extended reality is not just a new visual language. It is also a field where tensions between scientificity, industry, and memory are replayed. From the September 11 attacks (SURVIVING 9-11) to the Normandy landings (D-DAY: THE CAMERA SOLDIER) and the
Free-roam VR is entering a make-or-break phase: the sector doesn’t need more proof that the format can amaze—it needs infrastructure that helps it scale. In this episode of our FreeRoaming series, the conversation with David Bardos (Univrse) focuses on XRoam,
With TU VIVRAS, MON FILS [STAY ALIVE, MY SON], it is an impressive film that was presented at Venice Immersive this September. If history and memory is an incredible field of exploration for VR, Victoria Bousis chooses a massive set
The Venice Gap-Financing Market returns for its 10th edition (Sept. 1-3), with a selection of 14 immersive pieces and 11 Biennale College Cinema – Virtual Reality projects that will have the opportunity to close their international financing, through one-on-one meetings
South by Southwest® (SXSW®) Conference and Festivals (March 16-20, 2021) unveiled the SXSW Online XR world and programming as part of the 2021 event. The condensed, fantastical artist representations of Congress Avenue and the Red River Cultural District, using the
Filming reality for virtual reality is often an outward-looking exercise. With their previous film, SURVIVING 9/11, the French company TARGO reconstructed the New York of 2001. Their latest production, BEHIND THE DISH (in 3 episodes), turns the camera towards a
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