“I wanted to imagine an experience that would allow us to better express our identity through our physicality” – Sarah Silverblatt-Buser (COLLECTIVE BODY) 

COLLECTIVE BODY is a multi-user virtual reality dance project that is having its world premiere at Venice Immersive (Competition) this week, before opening at the Lincoln Centre for the Performing Arts in New York this October. We meet creator and choreographer Sarah Silverblatt-Buser, who initiated and directed the project. Sarah Silverblatt-Buser is also touring with […]

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“To create an emotional context for public engagement” – prof. Sarah Kenderdine (EPFL Pavilions, eM+, DIAGRAM project)

The Geneva International Film Festival this year was, for me, an enlightening experience. During the event, I had the chance to interview Prof. Sarah Kenderdine, who joined the festival with a conference titled Future Cinema Systems as part of the

“To promote our LBVR management platform, we produced our own content” – Frederic Sanz (Univrse)

LBE virtual reality has a bright future ahead of it: the success of large-format exhibitions and events is convincing large audiences to immerse themselves in new experiences. In Spain, Univrse is leading this movement, with projects ranging from the commercial

“Digging into the depths of ourselves to expose something that is deeper and, because of that, more relatable” – Mark Atkin (CPH:DOX Inter:Active 2024)

Kicking off this March 13 is the new edition of CPH:DOX in Copenhagen with an Inter:Active section that once again takes a closer look at the impact of art and technology on our society.  Once again we met with Mark

Editorial⎪why we should all explore VR platforms with a community

“We must be willing to attend events and try things in VR that wouldn’t normally interest us. The best way to find the will and energy to do that is to do so with trusted peers.” – Michael Barngrover (XR

Exploring a new storytelling frontier for a new audience at Venice Immersive: WHAT IF…? AN IMMERSIVE STORY and more

Every year for the past six editions of the Venice Film Festival, the cultural association fanheart3 joins this international event with a collateral award (to date still the only one of the immersive section) dedicated to audiences and fan communities:

“With a 24-hour running time, GONDWANA is by nature a very organic experience” – Ben Joseph Andrews, Emma Roberts (GONDWANA)

One of the most acclaimed experiences of this year (selected at Sundance New Frontier and SXSW) is Australian… and lasts 24 hours! With a form of immersion that defies temporality, to better observe the impact of man on nature, GONDWANA