XR Creation: can we break free from Big Tech?

Adrien Cornelissen

Given the current economic tensions and geopolitical context, dependence on Big Tech in all sectors has never been more apparent. XR is no exception: creators, producers and distributors rely heavily on these technologies, whether for software, hardware or infrastructure. But what kind of dependence are we really talking about? Are there any viable alternatives to […]

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XR Backstory: PLAYTIME, by Catherine Bazinet, Maxime Boisvert, Ronan Le Gall, Alexis Maher & Charles Tétreault

Selected by the Festival du Nouveau Cinéma (FNC) in 2019, PLAYTIME is a student project produced by Catherine Bazinet, Maxime Boisvert (...)

“We want to embrace as many genres and stories as possible” – Jay Kim (BIFAN’s Beyond Reality)

As the world is opening again to events and festivals, Bucheon International Fantastic Film Festival (BIFAN) will happen on July 9-16. (...)

“I consider virtual reality to be an altered state of consciousness” – Adelin Schweitzer (deletere)

An iconoclastic artist committed to hybrid public performance and technological experimentation, Adelin Schweitzer founded deletere laboratories in the south of France in 2013. This interview was made during NewImages 2024 The A-Team of digital creation Adelin Schweitzer – The creative

Diversion announces the acquisition of two projects presented at Venice Immersive 2024

Back to the heart of the Venice Production Bridge at La Biennale di Venezia – Venice International Film Festival, the long-awaited back-to-school event for the artistic and immersive ecosystem, which promised to be rich for Diversion through its annual birthday

“It seemed essential to us to offer a truly positive and enlightening experience, and not a documentary on the end of life” – Isabelle Andreani (NANA LOU)

How do you take a strong social theme (the end of life, a complex, if not taboo, subject) and turn it into a first-person story? MAMIE LOU, a project that has been acclaimed by professional markets in recent years (SACD

“FREE UR HEAD emerges as an experiment on the power of the individual over the collective” – Tung-Yen Chou (Very Theatre)

A leading director on the Taiwanese and international scene, founder of the Very Mainstream Studio and Very Theatre in Taipei, Tung-Yen Chou is no stranger to the immersive sphere. Although his use of technology is already apparent in his theatrical