In the context of the international structuring of XR, the Netherlands has, in recent months, set up a national program dedicated to accelerating immersive applications:
For the second consecutive year, the Cannes Film Festival showcased a Competition featuring nine immersive works. A market dedicated to immersive creation as a whole
Given the current economic tensions and geopolitical context, dependence on Big Tech in all sectors has never been more apparent. XR is no exception: creators,
For a number of years now, Luxembourg has been setting out its ambitions in terms of XR production. A singular approach in an emerging market,
At the beginning of November in Marseille, some 1,300 professionals from the cultural and creative industries (ICC) gathered for the launch of the Chroniques Bienniale,
MUTEK is now internationally renowned for its cutting-edge digital programming. With venues on 4 continents and in 7 cities, the festival has built up a
The career of Vincent Morisset, one of Canada’s leading artists, is a reflection of his character: generous and inventive. With more than 20 years of
The server’s on fire and we’re looking the other way? This misleading phrase caustically reflects the digital and ecological challenges ahead. At present, the environmental
For a long time, those involved in XR and digital creation have been sailing at a dead end: what is the environmental impact of digital
