XR Focus / Luxembourg: a champion of immersive production

Adrien Cornelissen

For a number of years now, Luxembourg has been setting out its ambitions in terms of XR production. A singular approach in an emerging market, for a country with only a few hundred thousand inhabitants. Where does this interest in virtual reality come from? What is Luxembourg's roadmap? What are the strengths and limitations of […]

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Cannes XR Virtual unveiled a multi-selection of 55 XR works

For its 2020 edition, the Marché du Film - Festival de Cannes’ XR program dedicated to virtual and augmented reality becomes CANNES XR (...)

“It is our role at the Marché du Film to support all innovations” – Guillaume Esmiol (Cannes XR)

The Cannes Film Festival returns in July for a very special edition. Its professional counterpart, the Market, has also had to adapt – from 2020 – to anticipate the problems of a health situation that was still unknown when the

[Replay] Creating Reality: XR Interview with Jason Moore, by XR4Europe

The collaboration between XR4Europe and XRMust opens, in this 2024, with a first interview dedicated to one of our favorite artists. We are talking about Jason Moore, who, with his The MetaMovie team, created Alien Rescue, a production at the

“Our first exhibition invites people to fall in love with the artwork, to see how it offers a unique perspective” – Amy Rose (Watershed – Undershed)

Sing The Body Electric, a new digital and immersive art exhibition, opens in Bristol at the end of October, showcasing sensory works that explore the physical and emotional connection we can have with certain forms of digital creation. It is

“In my practice, I have control on how to present realities” – Natalie Paneng (NATALIE’S TRIFECTA)

NATALIE’S TRIFECTA premiered at IDFA, where it won a special jury award for creative technology. The interactive piece transports the viewer through the different worlds of a multi-disciplinary artist (Natalie Paneng), as they explore her physical studio, a virtual gallery

CPH:LAB 2024: Anamnesis, Fay: Carving Memories, Paradise Lost (part 3)

We have now come to the third and final part of our excursus on the CPH:LAB and the projects selected for the 2023/2024 edition. Today we will present the last three works (one of which, Anamnesis, also took part in