Rethinking the narrative function of technology – Jamie Armitage (A GHOST IN YOUR EAR)

Agnese Pietrobon

An in-depth look at Jamie Armitage’s new stage production, A GHOST IN YOUR EAR, currently running at London’s Hampstead Downstairs (Hampstead Theatre) until 14 February. A horror story that uses binaural sound and the emotional exchange between actor and audience to deepen the live experience of theatre. Cover: A GHOST IN YOUR EAR - George […]

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“The moments when we are together are the ones that really get this industry going” – Mark Atkin (CPH:DOX – Inter:active 2022)

After a 2021 edition we fell in love with, CPH:DOX Inter:Active is back for a mostly in-person event starting today! Fewer works, large and complex installations and the chance to discover a festival, immersive productions – and Copenhagen itself! –

“The affirmation of VR creators requires a true hybridization of their storytelling” – Katayoun Dibamehr (FNC Explore)

Head of the new media section (Explore) of the Nouveau Cinéma festival in Montreal since 2016, Katayoun Dibamehr reveals the first information about the 2021 edition (from October 6 to 17 on site and online) – including the creation of

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Being as discreet as possible, the company based in Paris and Toulouse is however regularly selected in the biggest festivals.

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Jake Oleson’s CURRENTS is an immersive VR180 film made for the Apple Vision Pro in partnership with Vimeo, telling the story of a Vietnamese woman overwhelmed by the shift from rural life to the city. Blending stylized visuals, spatial audio,

“Using VR to preserve real marine animals for future generations” – Michal Lovecky, Ninja Mueller (HOW IS THE WATER)

HOW IS THE WATER is a “virtual ocean experience with real-world impact” that makes ocean accessible for everybody but also pioneer the use of immersive media for marine conservation. One of the first educational projects created and still today among

Nocturne Immersion: Villa Albertine explores new forms of stage writing in New York

Held on November 6 in New York, Nocturne Immersion (link) marked a new step in Villa Albertine’s strategy to support immersive creation and transatlantic ties between France and the United States. Designed with Dark Euphoria, the program was part of