In this conversation with Byron Chrysovergis, founder of Poetics, what emerges is not the portrait of a market already in place, but of a country where new openings are starting to appear for immersive exhibitions. Greece does not yet have a dense infrastructure for this kind of work, nor a fully identified distribution circuit. But […]
It’s a tricky time for ethics in the 21st century. Unlike the Ancient Greeks, the fathers of Western ethics, we tend to treat rules of morality with great suspicion. Beyond the legally protected boundaries of public order, under Western liberal
The Geneva GIFF is back to 100% physical this year for an edition for the public but also for professionals (with the Geneva Digital Market). The opportunity to celebrate a 27th anniversary post-Covid in great shape. Interview with Anaïs Emery,
Film Fund Luxembourg occupies a singular position within the European ecosystem: a powerful public instrument, backed by a structured audiovisual policy, that has gradually expanded its scope toward immersive creation without weakening its historic foundation. In this interview, Guy Daleiden—its
We recently had the chance to explore the remarkable work being done at Agog, the immersive media institute for social good founded by Wendy Schmidt and Chip Giller. Agog is on a mission to revolutionize communications, while providing support to
The BFI London Film Festival, in partnership with American Express, today announces the complete line-up for LFF Expanded, the Festival’s Immersive Art and Extended Realities strand, which runs from 5-16 October 2022. Programmed by Ulrich Schrauth, the BFI’s Immersive Art
CPH:DOX Inter:Active 2025: a declaration of love in five points to a festival with a big heart. Cover: CONSTANTINOLOLIAD by Sister Sylvester & Nadah El Shazly I’ve been writing about CPH:DOX for years now on XRMust. I first followed the