Reynard Films (based in Leipzig, Germany) is a recognized name in the immersive ecosystem, with its ability to co-produce powerful and often socially engaged narrative works. With three of their projects being presented at the 2025 edition of Venice Immersive, here is a portrait of a young production company that navigates between traditional cinema (short […]
The sun was out for the return of a very physical Annecy festival, the most important worldwide meeting for animation professionals. The festival and its market, the MIFA, were fully booked for this week of celebration of animated works, be
Bentornato, CPH:LAB! Dopo aver seguito da vicino l’edizione 2022-2023, non potevamo *non* parlare di nuovo del programma di sviluppo creativo di CPH:DOX, che “incoraggia l’assunzione di rischi creativi, celebra i talenti grezzi, facilita la collaborazione al di là dei confini
Originally, Ride FX was supposed to produce films for amusement parks—hence the name, inspired by Futuroscope-style rides. Covid struck in the year the company was founded, major contracts fell through, and the studio had to reinvent itself at lightning speed.
For her work BLOODLESS, Gina Kim received the Best VR Story Award from the Venice Film Festival in 2017. TEARLESS, the second installment of her trilogy on US military comfort women. I had the chance to share an in-depth conversation
Last weekend there was a call for collaboration, funding and accessibility from the vibrant centre of Johannesburg, South Africa. The Fak’ugesi African Digital Innovation Festival is being held from 13 – 21 October 2022 at the Tshimologong Precinct in Braamfontein,