A Guide to Virtual Reality: Top 6 Experiences on Art and Artists

For a few years now, VR content releases have been multiplying, and that’s good news! Whether you are a beginner or not, here is a first guide to the best immersive content available – A selection by Gibby Zobel, filmmaker and journalist, who produces a regular alternative guide to the best content on the Quest 2.

Gibby’s Guide is now available on its official website! (link)

The Dawn of Art (Pierre Zandrowicz)

Black woolly rhinoceros locking horns, a quartet of horses, arctic musk oxen and a pride of lions. It must have been quite a shock when speleologist Jean-Marie Chauvet stepped into a cave in the South of France in 1994 and stepped back in time by 36,000 years. THE DAWN OF ART leads you inside what Werner Herzog has called the cave of forgotten dreams. A bear skull sits where it was carefully placed many, many millennia ago. The giant frescos – humanity’s first masterpieces – are some of the oldest drawings in the world. Narrated by Daisy Ridley, the animals spring from the walls as sparks of fire – animating the originals drawn in charcoal and engraved into the limestone walls.

The Dreams of Henry Rousseau (Nicolas Autheman)

‘I never went to Mexico, that was a lie I told people. In fact I’ve never been anywhere.’ It’s true. Henri Rousseau, famous for his depictions of tropical jungles, never left Paris. His psychedelic inspirations came only from the city’s botanical gardens. THE DREAMS OF HENRY ROUSSEAU, directed by Nicolas Autheman, leaves you in the greenhouse of the Jardin des Plantes after closing time and Rousseau’s shimmering art begins to reveal itself in the lush foliage. ‘I don’t feel afraid. There are other spirits in the forest, ‘ the narrator continues. The friendly face of a lion, the black snake charmer, the reclining nude – all figures from his most famous oil-on-canvas painting, ‘The Dream’.

This project is part of a collection by Arte France with:

Saturnism (Mihai Grecu)

Terrifying animation of Francisco Goya’s ‘Saturn Devouring His Son’. SATURNISM, directed by Mihai Grecu, is a visceral experience set in a dark and barren landscape of fear and without hope of escape. As hideous as the original.

Cesare’s Dream – In the Cabinet of Dr. Caligari (Sebastian Mattukat)

A century on from the expressionist silent film ‘The Cabinet of Dr. Caligari’, the mixed-media VR homage CESARE’S DREAM is still asking the same questions: ‘What is a dream, what is reality and who is in control?’

The Sun by Edvard Munch (Gebrueder Beetz)

Using the Ganzfeld effect of perceptual deprivation to create ‘hallucinations’ of colours, the experimental animation THE SUN attempts to recreate the intensity felt by Edvard Munch on seeing ‘The Sun. Using frequencies of sound and chromas that cut to white, your brain imprints their opposites on the blank canvas. Munch based his masterpiece on a sunrise on Norwegian coast, re-created here at the start of the film as a slow one-take time-lapse taken from the same spot, over a fjord in Kragerø.

Warning: This film features an optical technique that may be uncomfortable for some viewers

Dreams of Dali (Goodby Silverstein & Partners)

A stone-cold classic must-see, Dreams of Dalí is an epic fly-through the trippy surrealism of the Spanish painter. It begins in the desert as an ant-sized father and child gaze up at two towering praying figures, the scene from his work ‘Archaeological Reminiscence of Millet’s Angelus’. Although that painting is the anchor of the film, other iconic elements are introduced – a lobster phone rings under one of the towers, a girl is skipping rope, and the elephants on stilts trumpet under the crescent moon. With the echoing voice of Salvador himself, it’s an obra maestra on it’s own.

@ Dabatase

Leave a Reply

@ Magazine

XR Focus / Germany, a not-so-sleepy giant of immersive creation

Since the virtual reality resurgence, Germany has been among the top three European countries in terms of production support. With its highly regional dynamics, the country has “scaled up” its funding based on its experience in film and video games

“A work to ground us in the human stories rather than just in a political event” – Erfan Saadati, Sparsh Ahuja (CHILD OF EMPIRE)

Part of the Sundance New Frontier 2022 lineup, Child of Empire is a VR experience in which the discourse on the political situation gives way to a broader reflection on the effects of conflict through a meaningful and human conversation

“We must stand for the independence of creation in virtual reality” – Michel Reilhac (Venice VR Expanded)

The Virtual Reality section of the Venice Film Festival (La Mostra, included in the more global art event called the Biennale) returns in September 2021. A pioneer of the genre among A-festivals, Venice VR will be expanded again this year

CPH:LAB 2024: Follow the carnation, The Bald Altuus, Garden Alchemy (part 2)

Last week, we presented you with the first three projects selected for the 2023/2024 edition of the CPH:LAB. Today we are going to discover three more works, in order to take a closer look at their contents, their most creative

“We bring a lot of our own lives into our characters” – Fabito Rychter, Amir Admoni (LAVRYNTHOS)

If you’ve been around the immersive festivals this year, chances are you’ve come across Fabito Rychter and Amir Admoni, Brazilian creators whose project LAVRYNTHOS has already had a dozen selections since Venice VR 2021. In 2020, GRAVITY VR has experienced

FIRST LIFE is a new chapter of Sir David Attenborough’s work in VR

In more than 60 years of broadcasting, David Attenborough has travelled the globe to document the living world in all its wonder. Now, with Alchemy Immersive and Meta, he travels back in time using Virtual Reality to bring to life