“Developing XR in Africa is a real labour of love” – Brian Afande (BlackRhino VR)

Africa remains a little-known continent when it comes to XR creation. And yet, if you take a close look, you'll find artists who are passionate about the medium, initiatives to disseminate it and a few companies that were able to turn the corner on virtual reality very early on. This is notably the case of […]

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Diversion announces the acquisition of two projects presented at Venice Immersive 2024

Back to the heart of the Venice Production Bridge at La Biennale di Venezia – Venice International Film Festival, the long-awaited back-to-school event for the artistic and immersive ecosystem, which promised to be rich for Diversion through its annual birthday

Report⎪Virtual Worlds and The Creator Community

Recently Michael Barngrover hosted a live panel discussion for the XRMust community on the topic of XR creator communities. The panelists invited to share their insights and to take questions were Sonya Seddarasan of UPWorlds, Lance Powell of VEDX Solutions,

OASIS Immersion and UNIVRSE / XROAM Join Forces to Shape a New Framework for Immersive Destinations

OASIS Immersion and UNIVRSE / XROAM have announced a strategic partnership around the Hybrid Immersive Destination Framework (HIDF), a new approach to immersive venues combining large-scale projection environments with free-roaming VR experiences. Launching from April 2026 at OASIS Immersion Montréal,

“VR filmmakers have a level of responsibility towards their audience” – Albert Millis (Open City Docs – Expanded Realities)

New Expanded Realities curator Albert Millis has just completed the immersive selection for the next Open City Documentary Festival 2021 (in venues across London between 8th – 14th September 2021 and online 13th – 23th September). In a very busy

“We are a sandbox for creative people from different artistic backgrounds who want to explore immersive storytelling” – Astrid Kahmke, Sylvain Grain (European Creators’ Lab x Stereopsia)

Dissecting the grammar of an immersive project from the start: this is the subject of many creative workshops that allow artists and producers to take the time to work on the development of their experience. Among these workshops, EUCL (European

“Murals isn’t just a product. It’s not merely an artwork; it is a mission, a message” – Maciej Zemojcin (MURALS)

After a memorable presentation at the Cannes Film Festival and a successful run at the BFI London Film Festival and Warsaw Film Festival, MURALS in November landed at the GIFF in Geneva, where it took part in the International Immersive