A final article to wrap up XRMust's overview on the Venice Gap-Financing 2023, the part of the Venice Production Bridge that, during the 80th Venice International Film Festival, will offer selected European and International projects the opportunity to close their international financing, through one-to-one meetings with international decision-makers. In the previous articles we met the […]
German XR curator Ulrich Schrauth is a busy man. Through his exploration of immersive creation, he surveys contemporary art exhibitions and meets the most experimental creators of the sector – without denying the entertainment part of the sector. This can
With a strong classical theatrical tradition, the United Kingdom is a breeding ground for creative research. What could be more natural than for the Royal Shakespeare Company to open up new fields of expression, between new media, new audiences and
BIOLUM is one of the VR experiences that has been touring a lot in 2021 in festivals, winning prizes at SXSW or the recent GIFF in Geneva. Let’s take a look at the conception of this virtual reality “blockbuster”, halfway
The annual Newimages Festival in Paris dedicated this year one of the sections to the Latin-American XR industry. Damián Kirzner, Founder and Director of Mediamorfosis, and Catalina Alarcón Reyes, Director and Producer of the Chilian sociocultural project VOLVER A CASA,
Immersive art is a creative field that continually welcomes newcomers from other horizons. Yolanda Markopoulou is a theatre director and producer, who last year presented her first immersive VR performance, WHITE DWARF, at the Thessaloniki International Film Festival – Immersive
Between meetings at IFFR, the conversation with Isobel Knowles and Van Sowerwine quickly moved beyond the usual “how did you make it?” Because THE WORLD CAME FLOODING IN isn’t just another XR title on a festival slate. It’s a deliberate