For thirty years, Tarantula has occupied a special place in Luxembourg's audiovisual landscape: that of an independent producer deeply rooted in auteur cinema, capable of seeking out social, political and sensitive stories and giving them international reach. Founded in 1995 by Donato Rotunno, the company first made a name for itself with its short films, […]
Belgium’s Cassette for timescapes and Paris-based distributor ASTREA share the official poster artwork for Venice title A LONG GOODBYE by Kate Voet & Victor Maes. The animated, interactive VR film will celebrate its world premiere in the competition section of
FIND WIILII – EP.1 THE GATE-CRASHER, is a live, hour-long immersive experience where three audience members join two professional actors on a futuristic narrative journey in a virtual reality. The premise for the show is as follows: A sci-fi immersive
Immersive Tech Week (ex-VRDays) returns to Rotterdam at the end of November, its new home since the 2022 edition. A post-Covid revival that also marks the confirmation of one of the biggest forums dedicated to immersive technologies in Europe, all
It’s one of the best virtual reality experience of 2021. MADRID NOIR premiered at Tribeca Immersive, then XR@Annecy – followed by +15 selections all year long. And an Award for Best Narrative Experience at Stereopsia! We discussed the film, and
A leading programmer of digital and immersive culture, Ulrich Schrauth, joined the BFI London Film Festival in 2020 to oversee a new immersive strand of virtual and extended realty works. Now in its fifth year, LFF Expanded continues its journey
The sun was out for the return of a very physical Annecy festival, the most important worldwide meeting for animation professionals. The festival and its market, the MIFA, were fully booked for this week of celebration of animated works, be