“It seemed essential to us to offer a truly positive and enlightening experience, and not a documentary on the end of life” – Isabelle Andreani (NANA LOU)
How do you take a strong social theme (the end of life, a complex, if not taboo, subject)…
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Articles, interviews and analysis from XRMust.
How do you take a strong social theme (the end of life, a complex, if not taboo, subject)…
If you haven't heard of Luxembourg-based studio Skill Lab yet, memorize it. In addition to the world premiere…
With her passion for space and space exploration, Eliza McNitt contributed to the boom in virtual reality with…
By turns a virtual reality animated film, an interactive pop culture experience or a work with an impact…
This year the Cannes Film Festival made the historic decision to create the “Immersive Competition”, a new category…
Ioana Mischie is a Romanian-born transmedia artist and futurist, active in the field for almost 12 years. She…
The server's on fire and we're looking the other way? This misleading phrase caustically reflects the digital and…
Presented for the first time at the Venice Biennale in 2018 (see our interview at that time, one…
Tung-Yen Chou is a Taiwanese theatre director, filmmaker and founder/artistic director of Very Mainstream Studio and Very Theatre in…
One of the most heartwarming and well-designed participatory VR narratives from recent years, THE IMAGINARY FRIEND stands out…
Last week, we presented you with the first three projects selected for the 2023/2024 edition of the CPH:LAB.…
The new edition of the CPH:Lab came to an end a few weeks ago and once again it…