Edito⎜Chronique(s) of a Digital Art Biennale
Last month saw the opening of the 3rd Biennale des Imaginaires Numériques organized by Chroniques. Spread over Aix-en-Provence,…
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Creative
Articles, interviews and analysis from XRMust.
189
articles Showing 61–72
“To offer a concrete access point to the XR world for artists and startups” – Federico Anselmi (Immersive Tech Week)
Having concluded just a few days ago, the IMPULSE Funding Market at VRDays’ Immersive Tech Week, this year…
Editorial⎜About immersive audio, a look back at DOK Exchange XR 2024
In 1989, speaking of virtual reality, Jonathan Carey wrote that “spectacular power cannot be reduced to an optical…
Vote for the 2024’s Online XR Awards!
The end of the year always heralds a form of synthesis around projects shown at festivals and/or distributed…
Editorial⎜A look back at IDFA DocLab R&D Summit 2024
There was an irony at the core of IDFA’s DocLab programme this year. Distribution, which has long been…
Exploring the evolution of immersive performance with the creators of UNCANNY ALLEY: A NEW DAY (part 3)
Did you think we would stop at two? Think again! Because the interview with Ferryman Collective at Venice…
Exploring the evolution of immersive performance with the creators of UNCANNY ALLEY: A NEW DAY (part 2)
In the first part of this article, we had the chance to introduce the fascinating world and engaging…
Exploring the evolution of immersive performance with the creators of UNCANNY ALLEY: A NEW DAY (part 1)
It's just days before the Venice Film Festival begins, and a dear friend of mine who works in…
“Understanding technical tools for more nuanced artistic choices” – Patrick Muroni (RAVE)
At GIFF 2024, the International Immersive Experience Competition featured RAVE, an immersive work by Patrick Muroni that made…
Editorial⎜A look back at Verzio’s Vektor VR “Misunderstood Bodies”
For five years now, Ágnes Karolina Bakk and András Szabó have brought tightly curated VR exhibits to the…
“With Surround Sync, we combine immersive and cinematic viewing experiences to offer our audience the very best” – Briege Whitehead (White Spark Pictures)
“VR cinema”: an idea as old as the return of virtual reality content to the general public 10…
Villa Formose / “With BEAR MY SOUL and PIETRA, it’s the non-verbal, collective language that matters” – Joséphine Derobe
Immersive filmmaker Joséphine Derobe presented BEAR MY SOUL, her project inspired by the dream world of the animist…