In 1989, speaking of virtual reality, Jonathan Carey wrote that “spectacular power cannot be reduced to an optical model but is inseparable from a larger
The end of the year always heralds a form of synthesis around projects shown at festivals and/or distributed on the XR market. And at XRMust,
There was an irony at the core of IDFA’s DocLab programme this year. Distribution, which has long been a topic of conversation in the community,
Did you think we would stop at two? Think again! Because the interview with Ferryman Collective at Venice Immersive 2024 deserved a third (but final)
In the first part of this article, we had the chance to introduce the fascinating world and engaging experience of UNCANNY ALLEY: A NEW DAY
It’s just days before the Venice Film Festival begins, and a dear friend of mine who works in film criticism and I receive an invitation
At GIFF 2024, the International Immersive Experience Competition featured RAVE, an immersive work by Patrick Muroni that made its world premiere during the 30th edition
For five years now, Ágnes Karolina Bakk and András Szabó have brought tightly curated VR exhibits to the Verzio Human rights documentary festival. In 2015,
“VR cinema”: an idea as old as the return of virtual reality content to the general public 10 years ago. It has naturally occurred with
Immersive filmmaker Joséphine Derobe presented BEAR MY SOUL, her project inspired by the dream world of the animist peoples of the Far North, at the
